Fashion

64 found in Fashion

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  1.  
    1864
    LEECH
    Title:
    Progress of Bloomerism, or a Complete Change.
    Date:
    C1864
    Artist:
    John Leech (1817-1864)
    Image Size:
    115mm x 220mm
    Condition:
    In good condition
    Technique:
    Original etching.
    Stock Number:
    FASH 1864 LEEC 48A (C078)
    Description:

  2.  
    1874
    UNKNOWN
    Title:
    British Costumes for Winter 1873-74
    Date:
    C1874
    Artist:
    Artist unknown
    Image Size:
    320mm x 215mm
    Condition:
    In good condition.
    Technique:
    Original engraving
    Stock Number:
    TTAC 013 FASH (C078)
    Description:

    From the original edition of, "The Tailor and Cutter," 1874. Rare. Original engraving

  3.  
    1874
    UNKNOWN
    Title:
    New Style of Frock Coat Without Waist Seam.
    Date:
    C1874
    Artist:
    Artist unknown
    Image Size:
    360mm x 240mm
    Condition:
    In good condition.
    Technique:
    Engraving.
    Stock Number:
    TTAC 014 FASH (C078)
    Description:

    From the original edition of, "The Tailor and Cutter," September 11, 1874. Rare.

  4.  
    1914
    BRISSAUD
    Title:
    On aurait pu nous inviter aussi
    Date:
    C1914
    Artist:
    Pierre Brissaud (1885-1964)
    Image Size:
    170mm x 315mm
    Condition:
    In good condition, centre fold as issued.
    Technique:
    Original pochoir
    Stock Number:
    GDBT 140661 FASH (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. 

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  5.  
    1920
    ARNOUX
    Title:
    La Pimbeche
    Date:
    C1920
    Artist:
    Guy Arnoux (1886-1951)
    Image Size:
    200mm x 135mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    ARNO 006 FASH (C076)
    Description:

    From the series, 'Les Femmes de ce Temps', (Women of the times).

    The pochoir technique was riginally employed for  colouring  woodblock prints in the C15th.  Pochoir, used layers of colour to build up the design. As many as thirty stages using  gouache  paints could be employed in one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet.

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  6.  
    1922
    UNKNOWN
    Title:
    Croquis No. V
    Date:
    C1922
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2208005 (C077)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    The Pochoir technique was used mainly in France from the 1880's to 1930's.  Pochoir printing was used in industrial design, interiors, textile, and architecture.

    The work of major period furniture designers and architects, such as Eileen Gray, René Herbst, Robert Mallet-Stevens, and Charlotte Perriand are colorfully documented in these folios. Similarly, French pattern books of this period, consisting entirely of pochoir images of floral, insect-animal, and geometric forms, were created to inspire primarily fabric, interior and wallpaper designers. Featured in this display are the floral and geometric patterns of Edouard Benedictus' Relais , insect motifs in E. A. Seguy's Papillons and Insectes as well as abstract forms created by Sonia Delaunay in Compositions, Couleurs, Idées.

    Pochoir incorporates the use of numerous stencils for applying individual colours using watercolour or gouage to the one sheet. A craftsman known as a découpeur would cut stencils with a straight-edged knife. The stencils were made of aluminum, copper, or zinc and plastic in the C20th.  Stencils created by the découpeur would be passed on to the coloristes. The coloristes applied the pigments using a variety of different brushes and methods of paint application to create the finished pochoir print.

    The Pochoir technique was labour intensive, expensive and slow. As a result, techniques such as lithography and serigraphy, mechanized in nature, replaced pochoir as a method colour printing.

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  7.  
    1922
    UNKNOWN
    Title:
    Untitled
    Date:
    C1922
    Artist:
    Artist unknown
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2208008 (C077)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    The Pochoir technique was used mainly in France from the 1880's to 1930's.  Pochoir printing was used in industrial design, interiors, textile, and architecture.

    The work of major period furniture designers and architects, such as Eileen Gray, René Herbst, Robert Mallet-Stevens, and Charlotte Perriand are colorfully documented in these folios. Similarly, French pattern books of this period, consisting entirely of pochoir images of floral, insect-animal, and geometric forms, were created to inspire primarily fabric, interior and wallpaper designers. Featured in this display are the floral and geometric patterns of Edouard Benedictus' Relais , insect motifs in E. A. Seguy's Papillons and Insectes as well as abstract forms created by Sonia Delaunay in Compositions, Couleurs, Idées.

    Pochoir incorporates the use of numerous stencils for applying individual colours using watercolour or gouage to the one sheet. A craftsman known as a découpeur would cut stencils with a straight-edged knife. The stencils were made of aluminum, copper, or zinc and plastic in the C20th.  Stencils created by the découpeur would be passed on to the coloristes. The coloristes applied the pigments using a variety of different brushes and methods of paint application to create the finished pochoir print.

    The Pochoir technique was labour intensive, expensive and slow. As a result, techniques such as lithography and serigraphy, mechanized in nature, replaced pochoir as a method colour printing.

    Read full description
  8.  
    1930
    ARNOUX
    Title:
    Cards
    Date:
    C1930
    Artist:
    Guy Arnoux (1886-1951)
    Image Size:
    220mm x 290mm
    Condition:
    In good condition
    Technique:
    Pochoir.
    Stock Number:
    ARNO 003 POCH (C076)
    Description:

    Scarce pochoir by Gu Arnoux from his series, Jeux et Divertissements.

    The pochoir technique was riginally employed for  colouring  woodblock prints in the C15th.  Pochoir, used layers of colour to build up the design. As many as thirty stages using  gouache  paints could be employed in one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet.

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  9.  
    1930
    ARNOUX
    Title:
    Shooting
    Date:
    C1930
    Artist:
    Guy Arnoux (1886-1951)
    Image Size:
    220mm x 290mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    ARNO 002 FASH (C076)
    Description:

    Scarce pochoir by Gu Arnoux from his series, Jeux et Divertissements.

    The pochoir technique was riginally employed for  colouring  woodblock prints in the C15th.  Pochoir, used layers of colour to build up the design. As many as thirty stages using  gouache  paints could be employed in one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet.

    Read full description
  10.  
    ART DECO

    Title:
    Croquis
    Date:
    C1920
    Artist:
    Artist unknown
    Image Size:
    190mm x 245mm
    Condition:
    In good condition
    Technique:
    Original Pochoir.
    Stock Number:
    GDBT 2003018 (C076)
    Description:
    Designs by Worth and Beer


    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare..

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  11.  
    ART DECO

    Title:
    L'Ecureuil. Manteau D'Antilope et Ecureuil
    Date:
    C1922
    Artist:
    David
    Image Size:
    230mm x 185mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2207050 (C076)
    Description:
    Mantle of Squirrel and Antelope.

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.


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  12.  
    ART DECO

    Title:
    Untitled
    Date:
    C1920
    Artist:
    Artist unknown
    Image Size:
    190mm x 245mm
    Condition:
    In good conditon
    Technique:
    Original Pochoir.
    Stock Number:
    GDBT 2003017 (C076)
    Description:
    Designs by Poiret and Lanvin

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  13.  
    ART DECO

    Title:
    Untitled
    Date:
    C1922
    Artist:
    Artist unknown
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2208007 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  14.  
    ART DECO

    Title:
    Untitled
    Date:
    C1922
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Original pochoir.
    Stock Number:
    GDBT 2208006 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  15.  
    ART DECO
    1913
    Title:
    Une Chinoise Costume de Divertissement par Doeuillet.
    Date:
    C1913
    Artist:
    Pierre Brissaud (1885-1964)
    Image Size:
    160mm x 130mm
    Condition:
    In good condition.
    Technique:
    Original pochoir.
    Stock Number:
    GDBT 130409 FASH (C076)
    Description:

    Superb Art Deco fashion illustration by Pierre Brissaud from Gazette du Bon Ton.

  16.  
    ART DECO
    1915
    Title:
    Longchamp (II) ou Elle a Perdu!
    Date:
    C1915
    Artist:
    Georges Lepape (1887-1971)
    Image Size:
    160mm x 323mm
    Condition:
    In good condition, with centre fold as issued.
    Technique:
    Hand coloured engraving.
    Stock Number:
    GDBT 8905 (C76)
    Description:

    Stunning Art Deco fashion illustration by the great Georges Lepape.

    From La Gazette du Bon Ton.

  17.  
    ART DECO
    1921
    Title:
    A Palm Beach Tailleur, de Worth
    Date:
    C1921
    Artist:
    George Barbier (1882-1932)
    Image Size:
    165mm x 130mm
    Condition:
    In good condition
    Technique:
    Pochoir.
    Stock Number:
    GDBT 210540 (C076)
    Description:

    Stunning Art Deco pochoir by George Barbier.

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  18.  
    ART DECO
    1921
    Title:
    Untitled
    Date:
    C1921
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2110020 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  19.  
    ART DECO
    1921
    Title:
    Untitled
    Date:
    C1921
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2110014 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  20.  
    ART DECO
    1921
    Title:
    Untitled
    Date:
    C1921
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2110013 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
  21.  
    ART DECO
    1921
    Title:
    Untitled
    Date:
    C1921
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2110018 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    The pochoir technique was used mainly in France from the 1880's to 1930's, it incorporates the use of numerous stencils for applying individual colours using watercolour or gouache to the one sheet. A craftsman known as a découpeur would cut stencils with a straight-edged knife. The stencils were made of aluminium, copper, or zinc and plastic. Stencils created by the découpeur would be passed on to the coloristes. The coloristes applied the pigments using a variety of different brushes and methods of paint application to create the finished pochoir print. The pochoir technique was labour intensive, expensive and slow. As a result, techniques such as lithography and serigraphy, mechanised in nature, replaced pochoir as a method colour printing.

    Read full description
  22.  
    ART DECO
    1921
    Title:
    Untitled
    Date:
    C1921
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Original pochoir.
    Stock Number:
    GDBT 2110016 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    The pochoir technique was used mainly in France from the 1880's to 1930's, it incorporates the use of numerous stencils for applying individual colours using watercolour or gouache to the one sheet. A craftsman known as a découpeur would cut stencils with a straight-edged knife. The stencils were made of aluminium, copper, or zinc and plastic. Stencils created by the découpeur would be passed on to the coloristes. The coloristes applied the pigments using a variety of different brushes and methods of paint application to create the finished pochoir print. The pochoir technique was labour intensive, expensive and slow. As a result, techniques such as lithography and serigraphy, mechanised in nature, replaced pochoir as a method colour printing.

    Read full description
  23.  
    ART DECO
    1921
    Title:
    Untitled
    Date:
    C1921
    Artist:
    David
    Image Size:
    245mm x 190mm
    Condition:
    In good condition.
    Technique:
    Pochoir.
    Stock Number:
    GDBT 2110019 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    The pochoir technique was used mainly in France from the 1880's to 1930's, it incorporates the use of numerous stencils for applying individual colours using watercolour or gouache to the one sheet. A craftsman known as a découpeur would cut stencils with a straight-edged knife. The stencils were made of aluminium, copper, or zinc and plastic. Stencils created by the découpeur would be passed on to the coloristes. The coloristes applied the pigments using a variety of different brushes and methods of paint application to create the finished pochoir print. The pochoir technique was labour intensive, expensive and slow. As a result, techniques such as lithography and serigraphy, mechanised in nature, replaced pochoir as a method colour printing.

    Read full description
  24.  
    ART DECO
    1922
    Title:
    Abbe Italien
    Date:
    C1922
    Artist:
    Artist unknown
    Image Size:
    220mm x 175mm
    Condition:
    In good condition
    Technique:
    Pochoir.
    Stock Number:
    GDBT 221002 (C076)
    Description:

    From “Gazette du Bon Ton”, published by Lucien Vogel and his artists all of whom were trained at the Ecole des Beaux Arts. The pochoir technique was originally employed for colouring woodblock prints in the C15th. It involved applying layers of colour gouache paint (with as many as thirty stages) to create the one design. Styles were influenced by art movements such as Cubism, Fauvism and the Russian Ballet. Rare.

    Read full description
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64 found in Fashion

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