PRINTMAKERS C20TH

97 found in PRINTMAKERS C20TH

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  1.  


    Title:
    With Every Good Wish from the Etcher
    Date:
    C1925
    Artist:
    Alfred Edward (Ernest) Warner (1879-1968)
    Image Size:
    126mm x 176mm
    Condition:
    In good condition.
    Technique:
    Original etching signed lower right in pencil.
    Stock Number:
    PM WARN 1925D (C113)
    Description:

    Etching inscribed With Every Good Wish from the Etcher, personal gift from Warner. The title of this etching is Bush Homestead.

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  2.  


    Title:
    "Scots" College
    Date:
    C1935
    Artist:
    Ernest Warner (1879-1968)
    Image Size:
    190mm x 395mm
    Condition:
    In good condition.
    Technique:
    Etching signed in pencil and numbered.
    Stock Number:
    EDU WARN 003 (C113)
    Description:
    Number one from the edition of only fifty of this etching, signed in pencil by the artist lower right. Warner made very few etchings of schools.
  3.  


    Title:
    "The Little Quad" St Peter's College
    Date:
    C1941
    Artist:
    Joseph Hodges Choate (1832-1917)
    Image Size:
    175mm x 205mm
    Condition:
    In good condition.
    Technique:
    Original Etching, artist proof signed lower right hand side.
    Stock Number:
    PM CHOA 002 (C113)
    Description:

    Scarce artist proof tching of St Peters by Joseph Hodges Choate.

  4.  


    Title:
    'Shore'
    Date:
    C1935
    Artist:
    G.Marler / Alfred Edward (Ernest) Warner (1879-1968)
    Image Size:
    150mm x 100mm
    Condition:
    In good condition.
    Technique:
    Etching signed in pencil and numbered.
    Stock Number:
    PM WARN E 007 (C072)
    Description:

    Scarce beautifully executed etching of Shore school signed G. Marler, a pseudonym for Alfred Edward (Ernest) Warner.

  5.  


    Title:
    1. Island Trader 'Oliver' being refitted in Berry's Bay. 2. "Oliver" Island Trader Berry's Bay 1937
    Date:
    C1937
    Artist:
    Austin Platt (1912-2003)
    Image Size:
    216mm x 170mm
    Condition:
    Pencil drawing with faint occasional spotting, remains of tape residue at top sheet edge, otherwise in good condition. Etching in fine condition.
    Stock Number:
    PM AA PLATT 148 (C113)
    Description:

    Original pencil drawing, titled in pencil signed and dated 1936 lower left  SOLD WITH the etching of the same subject numbered 38/50 signed lower right.

    A rare example of an artist's original preliminary work and the finish etching.

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  6.  


    Title:
    A Cumberland Farmhouse
    Date:
    C1910
    Artist:
    Oliver Hall (1869-1957)
    Image Size:
    120mm x 160mm
    Condition:
    In good condition.
    Technique:
    Original etching signed in pencil lower left
    Stock Number:
    PM OS 1910 HALL (DRW05)
    Description:
    Oliver Hall, RA RWS RE
  7.  


    Title:
    Amiens Cathedral
    Date:
    C1926
    Artist:
    Charles J. Watson
    Image Size:
    230mm x 205mm
    Condition:
    In good condition.
    Technique:
    N/A
    Stock Number:
    PM OS 1926 WATS 04 (DRW 05)
  8.  


    Title:
    Arbitration Court. [Hyde Park Barracks]
    Date:
    C1935
    Artist:
    G.Marler Alfred Edward (Ernest) Warner (1879-1968)
    Image Size:
    105mm x 150mm
    Condition:
    In good condition.
    Technique:
    Etching signed in pencil and numbered.
    Stock Number:
    PM WARN E 008 (B004)
    Description:

    Scarce and beautifully executed etching of Hyde Park Barracks taken from the apse of St James Church].

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  9.  


    Title:
    Argyle Steps
    Date:
    C1923
    Artist:
    Edward Warner (1879-1968)
    Image Size:
    300mm x 180mm
    Condition:
    In good condition.
    Technique:
    N/A
    Stock Number:
    PM WARNER 017 ()
    Description:

    Sepia etching by Edward Warner of the Argyle Steps in Sydney's Rocks showing a horse drawn dray about to go under the Cut. The Cut was begun with convict labour in 1843 to provide direct easy access between Millers Point and The Rocks but was not completed until 1859.

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  10.  


    Title:
    Arles 1894
    Date:
    C1894
    Artist:
    Charles John Watson (1846-1927)
    Image Size:
    177mm x 250mm
    Condition:
    In good condition.
    Technique:
    Original etching signed lower left
    Stock Number:
    PM OS 1894 WATS 01 (DRW 05)
    Description:
    St Trophemus. nhgx
  11.  


    Title:
    Bobbin Head, Hawkesbury River
    Date:
    C1940
    Artist:
    Frederick Halpern
    Image Size:
    230mm x 320mm
    Condition:
    In good condition.
    Technique:
    Original aquatint
    Stock Number:
    PM AA 1940 HALP (B002)
    Description:
    Very small edition rare.
  12.  


    Title:
    Bookplate:John Bruce Pye.
    Date:
    C1925
    Artist:
    Adrian George Feint (1894-1971)
    Image Size:
    94mm x 75mm
    Condition:
    In good condition.
    Technique:
    Wood engraving printed in two colours, signed lower right.
    Stock Number:
    BP FEINT 006 (DRW01)
    Description:

    Australian bookplate by Adrian Feint for John Bruce Pye.

    Collections:
    National Gallery of Australia Collection: Accession no NGA 77.101.1.29

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  13.  


    Title:
    Brisbane Waters.
    Date:
    C1925
    Artist:
    Sydney Long (1871-1955)
    Image Size:
    313mm x 225mm
    Condition:
    In good condition
    Technique:
    Original aquatint
    Stock Number:
    PM LONG MEND 066 (C113)
    Description:

    Rare Sydney Long etching of Brisbane Waters signed lower right and numbered 5 of 30.

    Reference: Mendelssohn Cat. no. 66

    Collections:
    Art Gallery of New South Wales, Accession 9873
    National Gallery of Australia, Accession NGA 73.782

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  14.  


    Title:
    Buffalo
    Date:
    C1982
    Artist:
    Pro Hart
    Image Size:
    200mm x 123mm
    Condition:
    In good condition.
    Technique:
    Hand coloured engraving.
    Stock Number:
    PM HART 001 (C113)
    Description:

    Rare early Pro Hart artist proof etching of H.M.S. Buffalo, signed in blue lower right.

    The Buffalo first reached Australia in 1833 after being fitted out to carry convicts to New South Wales. It was on its return to Portsmouth in 1834 that Captain John Hindmarsh commissioned the ship to transport free settlers to the new colony of South Australia. The Buffalo brought the first settlers of the colony of South Australia in 1836, unloading its passengers at present day Glenelg.

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  15.  


    Title:
    Bullock Team Coming In.
    Date:
    C1924
    Artist:
    Alfred Edward (Ernest) Warner (1879-1968)
    Image Size:
    150mm x 210mm
    Condition:
    In good condition.
    Technique:
    Original etching signed lower right in pencil.
    Stock Number:
    PM 028 WARN (C113)
    Description:

    Signed etching by Warner of a bullock team coming into a small country town. Numbered in pencil 23 of 75, signed lower right and with the artist's chop at lower right with the date 1924.

    Collections: National Gallery of Australia 1000013647

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  16.  


    Title:
    Burragorang Barns
    Date:
    C1925
    Artist:
    Herbert Reginald Gallop (1890-1958)
    Image Size:
    87mm x 125mm
    Condition:
    In good condition.
    Technique:
    Original drypoint signed in pencil lower right.
    Stock Number:
    NC GALLOP 001 (B001)
    Description:

    Fine drypoint by this well known New South Wales etcher and painter. His works are represented in a number of institutional collections.

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  17.  


    Title:
    Cathedral (Sydney Harbour Bridge)
    Date:
    C1934
    Artist:
    Robert Emerson Curtis
    Image Size:
    340mm x 240mm
    Condition:
    In good condition
    Technique:
    Original lithograph
    Stock Number:
    BTBR 011 (C006)
    Description:

    Original lithograph from the best series of images of the Bridge.

  18.  


    Title:
    Cattleman's hut.
    Date:
    C1922
    Artist:
    Roy Lewis Davies (1897-1979)
    Image Size:
    105mm x 140mm
    Condition:
    In good condition.
    Technique:
    Original wood engraving.
    Stock Number:
    PM DAVI (C113)
    Description:

    Davies first published engraving executed in 1922, signed and numbered "No 5-50 Proofs" in pencil.

    Roy Davies began wood engraving in 1921 and with his first published print, Cattleman's Hut. At that time, Lionel Lindsay was also beginning to work in the wood engraving technique, and through the illustrator David Barker, Lindsay contacted Davies and invited him to his studio. In 1923 Davies then exhibited 12 wood engravings at Tyrrell's Limited, Elizabeth Street, Sydney, in an Exhibition of Woodcuts.  

    Reference; NGA

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  19.  


    Title:
    Chapel Melb Grammar
    Date:
    C1922
    Artist:
    Cyril Dillon (c1880-c1970)
    Image Size:
    270mm x 227mm
    Condition:
    In good condition with wide untrimmed margins
    Technique:
    N/A
    Stock Number:
    PM AA DILL MGS (C113)
    Description:

    Etching of Melbourne Grammar chapel by Cyril Dillon, signed at lower right in pencil. From an edition of 50.

    Collections: National Gallery of Australia, 

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  20.  


    Title:
    City Hall, Brisbane
    Date:
    C1935
    Artist:
    Gerrard Gayfield Shaw (1885-1961)
    Image Size:
    255mm x 205mm
    Condition:
    In good condition
    Technique:
    Original etching signed in pencil lower right.
    Stock Number:
    QB 1935 SHAW 003 (C036)
    Description:
    Fine etching of the Brisbane City Hall which was officially opened 8th April 1930. Shaw was a gallery director and an active member of the of the Sydney following the end of the First World War.
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  21.  


    Title:
    Conquest. "Northern Group, Broken Hill Mines". (printed on the plate)
    Date:
    C1930
    Artist:
    John Charles Goodchild (1898-1980)
    Image Size:
    190mm x 265mm
    Condition:
    In good condition.
    Technique:
    Original etching printed in sepia.
    Stock Number:
    PM GOODHART 002 (B001)
    Description:

    There are two versions of this image, this image has This print has "Northern Group, Broken Hill Mines" printed on the plate at the lower left as well as a new title in pencil, & "Conquest", edition is now 60. Additionally Goodhart has made some minor changes, mainly the groups of grasses in the right hand corner area. In the other, the image is identical other than the changes noted above and there is no wording printed within the image and the title in pencil is "The Northern Group, Broken Hill" The edition is 50.

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  22.  


    Title:
    Council Chambers Strathfield
    Date:
    C1934
    Artist:
    Gerrard Gayfield Shaw (1885-1961)
    Image Size:
    240mm x 185mm
    Condition:
    In good condition.
    Technique:
    Original etching Signed and numbered 16/50
    Stock Number:
    PM SHAW 003 (C006)
    Description:
    Rare etching of Strathfield town hall.
  23.  


    Title:
    Cowslips
    Date:
    C1922
    Artist:
    John Hall Thorpe (1874-1947)
    Image Size:
    165mm x 153mm
    Condition:
    In good condition.
    Technique:
    Hand coloured engraving.
    Stock Number:
    PM HTHR 010 (B007)
    Description:

    One of Hall Thorpe's famous Art Deco colour woodblocks of flowers. Hall was an Australia artist who lived and successfully exhibited in London with other well known artists such as Frank Brangwyn, Lucien Pissaro, Arthur Streeton, G. W. Lambert, Albert Tucker, Edith Lumley and Hayley Lever. and William Nicholson. 

    Reference: King 10, pp 38, ill. 39.

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  24.  


    Title:
    Cranbrook
    Date:
    C1936
    Artist:
    Austin Platt (1912-2003)
    Image Size:
    177mm x 250mm
    Condition:
    In good condition.
    Technique:
    N/A
    Stock Number:
    EDU 1936 PLAT 125 (C113)
    Description:

    Fine etching of Cranbrook by Austin Platt signed and numbered 71 of 125.

    Collections:
    NGA - National Gallery of Australia, Accession no NGA 86.753

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97 found in PRINTMAKERS C20TH

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