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C1790
White Jointed Pider
Artist:
Rare c.18th engraving of an known species of spider from the foundation study of Australian fauna, by Surgeon John White. White did not name either of the two spiders illustrated: one small and unidentifiable, the other a large sparassid or … Read Full Description
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S/N: JOAV-ANI-SPI-055–230403
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Details
Full Title:
White Jointed Pider
Date:
C1790
Artist:
Condition:
In good condition.
Technique:
Copper engraving with original hand colouring
Image Size:
175mm
x 225mm
AUTHENTICITY
Genuine antique
dated:
1790
Description:
Rare c.18th engraving of an known species of spider from the foundation study of Australian fauna, by Surgeon John White.
White did not name either of the two spiders illustrated: one small and unidentifiable, the other a large sparassid or huntsman.
John White’s description:
The species of Spiders, unless seen recent, and in the utmost state of perfection, are not easily distinguished. The present species is most remarkable for the lucid surface of its thorax and legs, which latter are furnished with several long moveable spines, that may be either elevated or depressed at the will of the animal: this, however, is not peculiar to the present species, but is seen in some others. The eyes are eight in number, and are arranged in the same manner as those of the great American Spider, or Aranea Avicularia of Linnaeus. The colour of this Spider is a clear chestnut brown, except the body, which is a pale brown, with a very deep or blackish fascia on its upper part, reaching about half-way down. The orifice at the tip of each fang is very visible by so slight a magnifying power as that of a glass of two inches focus: this Spider is therefore of the number of those which poison their prey before they destroy it. The Plate exhibits the back and front view, of the natural size. A. the order in which the spines are placed. The lesser a. two spines enlarged, shewing the bracket on which they turn, and the groove or niche they shut into when closed. C. the fangs magnified.
From John White’s, Journal of a Voyage to New South Wales
References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 97.
Hill, J. The Hill Collection of Pacific Voyages. San Diego 1974 1858.
Nissen, C. Die illustrierten Vogelbucher. Stuttgart 1995 ZBI 4390.
Abbey, J.R. Travel in Aquatint and Lithography 1770-1860. London 1972 605.
Wantrup, J. Australian Rare Books. Sydney 1987 17.
Crittenden, V. A Bibliography Of The First Fleet. ACT 1982 248.
Collections:
National Library Australia: Bib ID 87340
State Library New South Wales: Call Number: MRB/Q991/2A2
National Gallery Victoria: Accession Number2012.31
State Library Victoria: CCF 919.44 W58
National Museum of Australia: Object number 2007.0035.0001
Sarah Stone (1760 - 1844)
Known as Sarah Smith or Sarah Stone, she was the daughter of a professional fan painter and worked as a natural history illustrator in England between 1777 and 1820. Like many British artists she never travelled to the Southern Hemisphere, although she is best known for her depictions of Australian subjects. Stone was commissioned by some of the great eighteenth-century collectors, including Sir Ashton Lever and Sir Joseph Banks, to prepare watercolour drawings based on specimens of animals, birds and objects brought back to England by members of recent voyages of exploration. In many cases her drawings were the first studies of certain natural history species, a fact which makes them of considerable scientific interest. Some of her watercolours recording the collections of artefacts and natural history gathered on the voyages of Captain James Cook are among the treasures of the Australian Museum in Sydney and the Bishop Museum in Honolulu. As Miss Stone, 'Honorary Exhibitor’, she exhibited four paintings at the Royal Academy in 1781 and 1786: two of birds, a peacock and a group of shells. As Mrs Smith, she showed a perspective view of Sir Ashton Lever’s Museum with the London Society of Artists at Leicester House in 1791 – previously exhibited at the Royal Academy in 1785.
