C1864

Bush Mailman

Artist:

Samuel Thomas Gill (1818 - 1880)

Famous image of a bush mail man, with full mail bags, crossing a stream with an aboriginal helper and his two dogs by Samuel Thomas Gill. From Gill’s, The Australian Sketch Book. Collections: National Gallery of Australia: NGA 77.100.12 National Gallery of … Read Full Description

$A 375

In stock

S/N: ASBO-005-GILL–190429
(C089)
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Bush Mailman Artists - Samuel Thomas Gill (1818-1880)

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Details

Full Title:

Bush Mailman

Date:

C1864

Artist:

Samuel Thomas Gill (1818 - 1880)

Engraver:

Hamel & Ferguson 

Condition:

In good condition.

Technique:

Lithograph printed in colour.

Image Size: 

250mm 
x 175mm
AUTHENTICITY
Bush Mailman - Antique Print from 1864

Genuine antique
dated:

1864

Description:

Famous image of a bush mail man, with full mail bags, crossing a stream with an aboriginal helper and his two dogs by Samuel Thomas Gill.

From Gill’s, The Australian Sketch Book.

Collections:
National Gallery of Australia: NGA 77.100.12
National Gallery of Victoria: Accession Number 3049.19-4
National Library of Australia: Bib ID2966659

Artist:

Samuel Thomas Gill (1818-1880)

S.T.Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook’s academy. His father taught him drawing and he was later employed in London as ‘Draftsman and Water Colour Painter’ by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 he had established a studio in Gawler Place, Adelaide, which was open from ‘eleven till dusk’; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches ‘to paper suited for home conveyance’. In 1846 he accompanied the expedition Horrocks which reached the head of Spencer Gulf. In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill’s legacy is a large body of work which portrayed life during the greatest gold boom the world had seen.

Contrary to popular belief Gill didn’t die of drink-related illness. He died from a ruptured aorta, a heart attack. The post-mortem showed his liver was in very good condition. Sasha Grishin SLV

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