Cattle Branding


Samuel Thomas Gill (1818 - 1880)

Lithograph of a mob of cattle in a stockyard being branded with  by Samuel Thomas Gill.  From Gill’s, The Australian Sketch Book.Collections: National Gallery of Australia: LEGACY ID 40591National Gallery of Victoria:  Accession Number 3049.14-4National Library of Australia: Bib ID1443996State Library of Victoria:Accession … Read Full Description


Free Shipping

Within Australia

All orders ship free
within Australia

Rest of the World

Orders over A$300
ship free worldwide

See Shipping page for Terms & Conditions


Full Title:

Cattle Branding




Samuel Thomas Gill (1818 - 1880)


Hamel & Ferguson 


In good condition.


Lithograph printed in colour.

Image Size: 

x 175mm
Cattle Branding - Antique Print from 1864

Genuine antique



Lithograph of a mob of cattle in a stockyard being branded with  by Samuel Thomas Gill. 

From Gill’s, The Australian Sketch Book.


National Gallery of Australia: LEGACY ID 40591
National Gallery of Victoria:  Accession Number 3049.14-4
National Library of Australia: Bib ID1443996
State Library of Victoria:Accession no:  H17155


Samuel Thomas Gill (1818-1880)

S.T.Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook’s academy. His father taught him drawing and he was later employed in London as ‘Draftsman and Water Colour Painter’ by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 he had established a studio in Gawler Place, Adelaide, which was open from ‘eleven till dusk’; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches ‘to paper suited for home conveyance’. In 1846 he accompanied the expedition Horrocks which reached the head of Spencer Gulf. In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill’s legacy is a large body of work which portrayed life during the greatest gold boom the world had seen.

Contrary to popular belief Gill didn’t die of drink-related illness. He died from a ruptured aorta, a heart attack. The post-mortem showed his liver was in very good condition. Sasha Grishin SLV

Choose currency

Exchange rates are only indicative. All orders will be processed in Australian dollars. The actual amount charged may vary depending on the exchange rate and conversion fees applied by your credit card issuer.

Account Login

The List

Join our exclusive mailing list for first access to new acquisitions and special offers.