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Artist:
Joseph Christian Goodhart (1875 - 1952)
There are two versions of this image, this image has This print has “Northern Group, Broken Hill Mines” printed on the plate at the lower left as well as a new title in pencil, & “Conquest“, edition is now 60. … Read Full Description
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Within Australia
Rest of the World
Orders over A$300
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Artist:
Joseph Christian Goodhart (1875 - 1952)
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Guaranteed Vintage Item
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Description:
There are two versions of this image, this image has This print has “Northern Group, Broken Hill Mines” printed on the plate at the lower left as well as a new title in pencil, & “Conquest“, edition is now 60. Additionally Goodhart has made some minor changes, mainly the groups of grasses in the right hand corner area. In the other, the image is identical other than the changes noted above and there is no wording printed within the image and the title in pencil is “The Northern Group, Broken Hill” The edition is 50.
Artist:
By this time J. C. Goodhart had left Broken Hill. In 1936 he had moved to Victor Harbour, South Australia, where he built a studio where he painted, etched, carved and modelled sculpture until his death on 16 April 1952. He briefly attended the Adelaide School of Design in 1890 and again in 1903. During the next two decades Goodhart spent his spare time painting, working both in oil and watercolour. It was not until the mid 1920s that he made his first etchings.
Goodhart’s earliest prints were of his immediate Broken Hill environment. Success came quickly. The National Gallery of Victoria purchased the mining subject Klondyke Propty. Mine, from his 1926 exhibition, and two more prints in 1930. The Art Gallery of South Australia acquired The Poppet Head and Molle Street Bridge, Hobart in 1928; also in that year Goodhart was elected a member of the Australian Painters Etchers’ Society with whom he exhibited regularly until 1936. Goodhart’s position amongst Australian printmakers was assured when in 1928 Campbell Dodgson, Keeper of Prints and Drawings at the British Museum wrote informing him of his interest in a group of five prints, following which, in April 1929, two of his etchings The Poppet Head and Klondyke Propty. Mine were exhibited at the Paris Salon.
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