C1814

Entrance of Port Phillip: taken May 3, 1802 at 9.h 20’am.

Rare coastal profile of the entrance to Port Phillip by William Westall, artist on board Matthew Flinders seminal survey of the Australia on the Investigator. On the 3rd of May at daylight the anchor was weighed to go out of Port … Read Full Description

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S/N: AVTAA-CP-1713-VC–230493
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Details

Full Title:

Entrance of Port Phillip: taken May 3, 1802 at 9.h 20’am.

Date:

C1814

Condition:

In good condition.

Technique:

Hand coloured copper engraving.

Image Size: 

470mm 
x 65mm
AUTHENTICITY
Entrance of Port Phillip: taken May 3, 1802 at 9.h 20'am. - Antique View from 1814

Genuine antique
dated:

1814

Description:

Rare coastal profile of the entrance to Port Phillip by William Westall, artist on board Matthew Flinders seminal survey of the Australia on the Investigator.

On the 3rd of May at daylight the anchor was weighed to go out of Port Phillip with the last half of the ebb; and the wind being from the westward, we backed, filled and tacked occasionally, dropping out with the tide. When the entrance was cleared, and five miles distant, Mr. Westall took a view of it .

The first European to sight and enter Port Phillip Bay had been John Murray. On 4 January 1802 he had sighted Port Phillip but found the entrance dangerous and decided to survey it later. He charted the east coast of King Island, then returned to Port Phillip on 31 January and sent John Bowen into the bay in a launch to examine it. Murray entered Port Phillip in the Lady Nelson on 14 February and anchored inside. He named various landmarks: Arthur’s Seat, Swan Island, Point Paterson and Point Palmer. On 8 March he took possession of Port Phillip, which he named Port King and which King renamed later. 
Flinders entered Port Phillip Bay at the end of April, 1802 in the Investigator and anchored off Dromana from where he ascended Arthurs Seat. 

From of Flinders hydrographic atlas, A voyage to Terra Australis…, sheet XVII, London : G. and W. Nicol, 1814.

From Flinders, M. A Voyage to Terra Australis, undertaken for the purpose of completing the discovery of that vast country, and prosecuted in the years 1801, 1802, and 1803, in His Majesty’s Ship The Investigator and subsequently in the armed vessel Porpoise and Cumberland schooner.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976: 576.
Hill, J. The Hill Collection of Pacific Voyages. San Diego 1974: 614.
Ingleton, G. Charting a Continent. Sydney 1944: 6487.
Tooley, R.V. The Mapping of Australia. London 1979: pp. 77-79.
Wantrup, J. Australian Rare Books. Sydney 1987: 67a.


Collections:
Royal Collection Trust UK: RCIN 1054637

William Westall (1781 - 1850)

Westall was a landscape artist born at Hertford, England. He was taught to draw by his elder half-brother Richard (1765-1836), a water-colour painter, Royal Academician and painting teacher to Princess Victoria. In 1799 he was admitted to the Royal Academy School, where he was studying when at 19 he was appointed landscape artist with Matthew Flinders' Investigator expedition to Australia, at a salary of 300 guineas. During the voyage he made a large number of pencil-and-wash landscapes in places visited by the Investigator and a series of coast profiles in pencil. When the Porpoise ran aground on Wreck Reef his sketches were 'wetted and partly destroyed' and, while Westall travelled in China, the drawings, regarded as part of the official record of the voyage, were taken by Lieutenant Robert Fowler to England. There, at the suggestion of Sir Joseph Banks, they were handed to Richard Westall to be 'restored to a proper state'. After spending some time in China and India Westall returned to London in February 1805 and sought access to the sketches to paint a picture for exhibition at the Royal Academy and showed a View of the Bay of Pines at the academy later in the year. In the summer of 1805 Westall went to Madeira and twelve months later to Jamaica. After returning to England he painted a series of water-colour views of the places he had visited and these were shown in a Brook Street gallery and at the Associated Artists' exhibition in 1808. Later he received commissions from the Admiralty to paint nine pictures to illustrate Flinders' A Voyage to Terra Australis … (1814), and was engaged by several London publishers to paint water-colours to be reproduced as aquatints.  

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