C1886

Governor Lachlan Macquarie.

Colonial engraved portrait of Governor Lachlan Macquarie (1762-1824), Governor of NSW from 1810 to 1821. References: Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 9829g. Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. … Read Full Description

$A 65

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S/N: PAA-POR-AA-1156CL–218196
(C123)
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Details

Full Title:

Governor Lachlan Macquarie.

Date:

C1886

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size: 

115mm 
x 140mm
AUTHENTICITY
Governor Lachlan Macquarie. - Antique Print from 1886

Genuine antique
dated:

1886

Description:

Colonial engraved portrait of Governor Lachlan Macquarie (1762-1824), Governor of NSW from 1810 to 1821.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 9829g.
Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. Melbourne 2001.

Collections:
National Library Australia: Bib ID 1654251
National Gallery Australia: LEGACY ID 34588
Royal Collection Trust UK: RCIN 1046852
Getty Museum Los Angeles: Object name: 1218593
State Library New South Wales: RECORD IDENTIFIER 74VvDRQZXzWd
State Library Victoria: CCF 919.4 G19

William Macleod (1850 - 1929)

Colonial artist born 1850 in London arrived in Australia with his family who emigrated to join the gold rush in Victoria. Macleod trained with the Sydney artist Edmund Thomas at the Sydney Mechanics' School of Arts and was known first, as William Macleod Anderson or James Anderson. He travelled widely and won a reputation as a painter of portraits and cattle, a designer of stained-glass windows, and as illustrator with journals such as the Sydney Mail, the Australian Town and Country Journal and Queensland Punch. Macleod joined the Bulletin full time in 1886 in response to a plea from Archibald following the departure of W.H.Traill. They became joint owners in 1887, Macleod was the Bulletin's managing director for the next forty years. Macleod worked in a variety of art forms from stained glass to black-and-white drawing, oils, watercolour, engraving, lithography, clay modelling and sculpture. His strength was as an illustrator. In later life Macleod lived at Dunvegan, Mosman, where he painted, played bowls with zeal, and was a genial and kindly host. His works are represented in a number of institutional collections such as, in the Art Gallery of New South Wales and the National Gallery of Australia.

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