Within Australia
All orders ship freewithin Australia
Rest of the World
Orders over A$300
ship free worldwide
C1939
Jeune fille de Jaluit Marshalls
Artist:
Paul Jacoulet (1896 - 1960)
One of Jacoulet’s greatest pre-war images and one of three ‘floating fiqures’ that he innovatively intorduced and that influenced the Hanga artist.. ‘This first state has a more golden mica background than the second, which substitutes an extremely cold shivery … Read Full Description
Sold
Free Shipping
See Shipping page for Terms & Conditions
Details
Full Title:
Jeune fille de Jaluit Marshalls
Date:
C1939
Artist:
Paul Jacoulet (1896 - 1960)
Condition:
In fine condition with full margins.
Technique:
Original colour woodblock.
Image Size:
300mm
x 390mm
Frame Size:
625mm
x 735mm
AUTHENTICITY
Guaranteed Vintage Item
dated:
1939
Description:
One of Jacoulet’s greatest pre-war images and one of three ‘floating fiqures’ that he innovatively intorduced and that influenced the Hanga artist..
‘This first state has a more golden mica background than the second, which substitutes an extremely cold shivery mica’.
Date 21 July 1939
Edition of only 150 Seal Boat Carver
Maeda Printers
Uchikawa Paper Watermarked ‘JP’ with alignment notch lower right.
Biography:
Paul Jacoulet (1896-1960)
Jacoulet was born in Paris in 1896, and raised in Tokyo from an early age. His father Frederic Jacoulet was a university professor hired by the Japanese government to teach French to young aristocrats. Jacoulet was fluent in Japanese language and social customs, and he studied a wide range of traditional arts.
Around 1931, Jacoulet began to work with Shizuya Fujikake learning the craft of woodblock printmaking. In 1933, he established the Jacoulet Institute of Prints and by the next year, he began publishing his own designs. With the exception of Jacoulet’s 1934 Rainbow Series published by the Kato Institute, all of his prints were self-published. Unlike many other shin hanga publishers, he gave credit to his carvers and printers by including their names in the margins of his prints. He was also known for having extreme standards for both carving and printing and would discard any prints whose impression was not excellent. In a 1946 article in TIME magazine, Jacoulet claimed to use the earlier imperfect impressions of his prints to paper the floor of his chicken house.
Jacoulet remained in Japan through World War II and continued to produce prints up until the time of his death in 1960. Although many of his prints were sold by subscription, he also sold a number of prints to American military officers stationed in Japan.
Jacoulet was a shameless self-promoter and sent prints to famous people to enhance his reputation. Mrs. Douglas MacArthur received an annual Christmas gift and his work hung in the General’s headquarters in Tokyo and later at the Waldorf-Astoria.
