C1806

Melaleuca Gnidiaefolia [Thyme honey-myrtle]

Artist:

Pierre Joseph Redoute (1759 - 1840)

Modern binomial name: Melaleuca thymifolia  Common name: thyme honey-myrtle From BONPLAND, Aimé. “Description des Plantes Rares Cultivees a Malmaison et a Navarre.” The series was commissioned by Joséphine, who had settled at Navarre after her divorce from Napoleon, and commenced … Read Full Description

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S/N: BOT-AA-1814-RED–221637
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Details

Full Title:

Melaleuca Gnidiaefolia [Thyme honey-myrtle]

Date:

C1806

Artist:

Pierre Joseph Redoute (1759 - 1840)

Condition:

Minor spot lower right hand side, otherwise in fine condition.

Technique:

Original copper engraving a la poupee

Image Size: 

350mm 
x 540mm
AUTHENTICITY
Melaleuca Gnidiaefolia  [Thyme honey-myrtle] - Antique Print from 1806

Genuine antique
dated:

1806

Description:

Modern binomial name: Melaleuca thymifolia 
Common name: thyme honey-myrtle

From BONPLAND, Aimé. “Description des Plantes Rares Cultivees a Malmaison et a Navarre.” The series was commissioned by Joséphine, who had settled at Navarre after her divorce from Napoleon, and commenced the restoration of the extensive gardens there. Nissen BBI 207 Great Flower Books p.51 Dunthorne 240.

Artist:

Pierre Joseph Redouté (1759-1840)

Redouté was one of the most famous flower painters of all time. His professional career began after he went to Paris in 1782 where he initially worked as a decorative painter at the “Theatre des Italiens”. He was steered into botanical painting after he met the botanist Charles Louis L’Héritier. Soon after he helped illustrate L’Héritier’s “Stirpes Novae”. Redoutes work was noticed by the famour botanical artist Gérard von Spaendonck, who produced drawings and paintings for the famous Velins du Roi. Spaendonck recruited Pierre Joseph Redouté as a staff member, and he subsequently contributed over 500 paintings to this huge undertaking.

Redoute learnt  Spaendonck’s watercolor technique, by which he used to produce flower paintings with a bright transparency. He was then appointed court painter to Marie-Antoinette and subsequently becoming one of France’s most popular flower painters. He perfected the color stipple engraving technique, which he had learned during a stay in London and first applied it in his illustrations for de Candolle’s work “Plantes Grasses”. In 1805 he was appointed court and flower painter to the Empress Josephine. From 1817 to 1824 he produced his greatest illustrated work, the monograp “Les Roses”.

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