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Colonial engraving of Mount Lindesay, McPherson Range, Queensland. On 6 July 1828, the botanist and explorer Allan Cunningham originally named this mountain Mount Hooker after botanist William Hooker and called another mountain (now Mount Barney) by the name Mount Lindesay … Read Full Description
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Within Australia
Rest of the World
Orders over A$300
ship free worldwide
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Colonial engraving of Mount Lindesay, McPherson Range, Queensland.
On 6 July 1828, the botanist and explorer Allan Cunningham originally named this mountain Mount Hooker after botanist William Hooker and called another mountain (now Mount Barney) by the name Mount Lindesay after Colonel Patrick Lindesay, the Commandant of Troops in New South Wales 1827-1836. Later, the New South Wales Surveyor-General Thomas Mitchell is believed to have changed the names to be Mount Lindesay and Mount Barney (after Lieutenant-Colonel George Barney) respectively.
References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9829g.
Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. Melbourne 2001.
Collections:
National Library Australia: Bib ID 1654251
National Gallery Australia: LEGACY ID 34588
Royal Collection Trust UK: RCIN 1046852
Getty Museum Los Angeles: Object name: 1218593
State Library New South Wales: RECORD IDENTIFIER 74VvDRQZXzWd
State Library Victoria: CCF 919.4 G19
Frederic B. Schell (1838 - 1900)
Schell was an American employed as the senior artist on the most ambitious colonial publication ever attempetd, The Picturesque Atlas of Australasia. He arrived in Sydney with two other American artists, W.T. Smedley and W. C. Fitler, plus a number of engravers including Horace Baker. When Phil May returned to England in 1888 Schell accompanied him. The Grafton Gallery 'Exhibition of Australian Art in London’ 1898 included F.B. Schell, cat.250, 'Junction of the Murray and Darling Rivers, N.S.W.’, cat.254, 'Hamilton Reach, Brisbane’, cat. 255, 'Sydney Harbour, N.S.W.’, lent by the Trustees of Sydney Gallery. He is represented in a number of institutional collections.
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