C1881

Mr. H. Byron Moore, the new Secretary of the V.R.C.

Portrait of Henry Byron Moore. On 17 June 1881 Moore became secretary of the Victoria Racing Club, retaining the post until 1925. He saw the value of acquiring land at the back of Flemington, bought it himself when the committee … Read Full Description

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S/N: AS-POR-AA-810716229B–228641
(DRW 05)
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Details

Full Title:

Mr. H. Byron Moore, the new Secretary of the V.R.C.

Date:

C1881

Condition:

In good condition

Technique:

Engraving.

Image Size: 

110mm 
x 130mm
AUTHENTICITY
Mr. H. Byron Moore, the new Secretary of the V.R.C. - Antique Print from 1881

Genuine antique
dated:

1881

Description:

Portrait of Henry Byron Moore.

On 17 June 1881 Moore became secretary of the Victoria Racing Club, retaining the post until 1925. He saw the value of acquiring land at the back of Flemington, bought it himself when the committee refused, and willingly resold some at his purchase price when later required. His surveying knowledge helped the club to plan four new grandstands and create spacious lawns and gardens, especially of roses, making Flemington a world-class course. He developed the club in Australian racing eyes, made the Melbourne Cup a major annual occasion with complimentary tickets to entice celebrities, and helped racing generally by suggesting the registering of bookmakers. Seeing himself as a manager only, he missed no meetings but rarely watched a race and never placed a bet.

From the original edition of the Australasian Sketcher.

Julian Rossi Ashton (1851 - 1942)

Ashton was born in England, the elder son of a wealthy American, Thomas Briggs Ashton and his wife Henrietta, daughter of Count Carlo Rossi, a Sardinian diplomat. Soon after his birth the family moved to Cornwall, where his father, an amateur painter, encouraged the artistic leanings of Julian and his brother George. About 1862 the Ashtons moved to Totnes on the River Dart, where Julian attended the local grammar school, but his father died and the family, now in financial straits, went to London. Julian had art lessons from an old friend of his father whose teaching he described as 'the most helpful I ever had'. At 15 he took a job in the civil engineering branch of the Great Eastern Railway and attended the West London School of Art at night. After three years he joined a firm of ironmongers as a draftsman, but soon left to become a successful illustrator for such journals as Chatterbox and Cassell's Magazine. In 1873 he spent a few months at the new Académie Julian in Paris, and subsequently had work accepted by the Royal Academy of Arts. Ashton emigrated to Melbourne in 1878 to work as an artist for the Illustrated Australian News. In 1881 he worked at the Australasian Sketcher and in 1883 moved to Sydney to work on the Picturesque Atlas of Australasia and the Bulletin. Ashton became an influential patron and supporter of Australian through his roles as trustee of the National Art Gallery of New South Wales and numerous associations that he belonged to. He was awarded the Society of Artists' medal for distinguished services to Australian art in 1924, appointed C.B.E. in 1930, and won the Sydney sesquicentennial prize for a water-colour in 1938.

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