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Rare colonial engraving of the young aboriginal boy, Mongo Mongo better known in the northern areas as little Alick, a native of Tamworth, performing at Ashton’s Circus in 1855. In 1853 James Ashton had engaged a young Aborigine boy from … Read Full Description
$A 275
Within Australia
Rest of the World
Orders over A$300
ship free worldwide
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Rare colonial engraving of the young aboriginal boy, Mongo Mongo better known in the northern areas as little Alick, a native of Tamworth, performing at Ashton’s Circus in 1855.
In 1853 James Ashton had engaged a young Aborigine boy from the Tamworth area and gave the juvenile the name of Master Mongo Mongo probably after the British black performer ‘Mungo’ Hillier. Ashton trained Mongo Mongo to perform his ‘many and daring feats on horseback’ in under two years. Mongo Mongo was among a troupe of Aborigines that Ashton briefly presented when he visited the Hanging Rock diggings, near Uralla, in 1854. The following year, when Ashton took over the lease of Malcom’s Amphitheatre, the performance of the ‘Australian black’ was described him in this engraving as ‘truly a wonder … [who] reminds one of other lands from the beauty of his riding’. Mongo Mongo might have continued to enjoy colonial fame had it not been for his sudden death, apparently at the age of 20 from natural causes, while travelling the Illawarra with Ashton’s troupe in 1856.
From the original edition of The Illustrated Sydney News.
References:
Gibbs & Shallard. Illustrated Sydney News. ISSN 2203-5397.
Collections:
State Library New South Wales: F8/39-40
State Library Victoria: PCINF SLVIC=1853-1872
National Library Australia: Bib ID 440095
Walter George Mason (1820 - 1866)
Mason was born in London, the second son of Abraham John Mason, a well-known wood engraver and lecturer. Walter’s father began teaching him the art of wood-engraving when the family lived in New York in the 1830’s. Walter was sent back to London to train under Mr G. Bonner before 1839. In England, Walter Mason became very well known as a wood engraver and worked with The Illustrated London News, Punch, Pictorial Times, The Art Journal,and other periodicals. Walter’s brothers, George and Charles, had immigrated to Australia in about 1850 and worked in Sydney as wood engravers.It seems likely that they encouraged Walter to join them. In 1852 Walter and his family left England for Australia, arriving in Sydney via the Windsor on 4 November 1852. Soon after his arrival in Sydney, Mason became involved in the founding of The Illustrated Sydney News.Despite a small permanent staff and the fact that 4000 copies of the first issue were sold at sixpence a copy, the paper had financial problems from the beginning. Over a few months in 1854, five of the original proprietors left the partnership and Walter Mason became printer and publisher. Despite engraving illustrations for a large number of newspapers, books and magazines, Walter was in financial difficulties for most of his time in Sydney.
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