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C1864
Native Miami.
Artist:
Scarce lithograph of an aboriginal encampment with a mia-mia (bark shelter) by Samuel Thomas Gill. From Gill’s, The Australian Sketch Book. Collections: British Museum: Registration 2016,2036.3 National Gallery Australia: NGA 77.100.15 National Gallery Victoria: 3049.3-4 National Library Australia: Bib ID 1445773 … Read Full Description
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S/N: ASBO-024-GILL–233502
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Details
Full Title:
Native Miami.
Date:
C1864
Artist:
Engraver:
Hamel & Ferguson
Condition:
In good condition.
Technique:
Lithograph printed in colour.
Image Size:
250mm
x 175mm
Paper Size:
343mm
x 277mm
AUTHENTICITY
Genuine antique
dated:
1864
Description:
Scarce lithograph of an aboriginal encampment with a mia-mia (bark shelter) by Samuel Thomas Gill.
From Gill’s, The Australian Sketch Book.
Collections:
British Museum: Registration 2016,2036.3
National Gallery Australia: NGA 77.100.15
National Gallery Victoria: 3049.3-4
National Library Australia: Bib ID 1445773
State Library of Victoria: Accession no: H17157
Samuel Thomas Gill (1818 - 1880)
Samuel Thomas Gill (1818-1880) S.T. Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook's academy. His father taught him drawing and he was later employed in London as 'Draftsman and Water Colour Painter' by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 had established a studio in Gawler Place, Adelaide, which was open from 'eleven till dusk'; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches 'to paper suited for home conveyance'. In 1846 he accompanied the Horrock's expedition which reached the head of Spencer Gulf. In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill's legacy is a large body of work which portrayed life during the greatest gold boom the world had ever seen.
