C1851

New Wesleyan Chapel Pirie St. Adelaide S.A.

Very rare separately issued lithograph by S.T.Gill, initialled and dated on the lower left of the image. The church was in Pirie St and designed by Edward Stuckey and officially opened in 1852.

$A 1,950

In stock

S/N: SA-1851-GILL–226273
(C098)
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New Wesleyan Chapel  Pirie St. Adelaide S.A. South Australia - Adelaide

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Details

Full Title:

New Wesleyan Chapel Pirie St. Adelaide S.A.

Date:

C1851

Condition:

Repaired tear at right hand sheet edge, top and side margins cropped, lower margin narrow.

Technique:

Lithograph with one tint.

Image Size: 

195mm 
x 160mm
AUTHENTICITY
New Wesleyan Chapel  Pirie St. Adelaide S.A. - Antique Print from 1851

Genuine antique
dated:

1851

Description:

Very rare separately issued lithograph by S.T.Gill, initialled and dated on the lower left of the image.

The church was in Pirie St and designed by Edward Stuckey and officially opened in 1852.

Samuel Thomas Gill (1818 - 1880)

Samuel Thomas Gill (1818-1880) S.T. Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook's academy. His father taught him drawing and he was later employed in London as 'Draftsman and Water Colour Painter' by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 had established a studio in Gawler Place, Adelaide, which was open from 'eleven till dusk'; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches 'to paper suited for home conveyance'. In 1846 he accompanied the Horrock's expedition which reached the head of Spencer Gulf.  In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill's legacy is a large body of work which portrayed life during the greatest gold boom the world had ever seen.

View other items by Samuel Thomas Gill

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