C1886

Concert des Ambassadeurs La Fete des Mitrons

Artist:

Jules Cheret (1836 - 1932)

Small poster for La Fete des Mitrons at Les Ambassadeurs. Les Ambassadeurs was a restaurant in Paris, situated in the Hôtel de Crillon.  Les Ambassadeurs operated since the mid-19th century and reached its peak of fame as a restaurant and nightclub … Read Full Description

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S/N: LAIL-004-POST–229525
(C118)
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Details

Full Title:

Concert des Ambassadeurs La Fete des Mitrons

Date:

C1886

Artist:

Jules Cheret (1836 - 1932)

Condition:

In good condition

Technique:

Lithograph printed in colour.

Image Size: 

137mm 
x 190mm
AUTHENTICITY
Concert des Ambassadeurs La Fete des Mitrons - Antique Print from 1886

Genuine antique
dated:

1886

Description:

Small poster for La Fete des Mitrons at Les Ambassadeurs.

Les Ambassadeurs was a restaurant in Paris, situated in the Hôtel de Crillon.  Les Ambassadeurs operated since the mid-19th century and reached its peak of fame as a restaurant and nightclub (a café-concert) in the last three decades of the 19th century. Always a centre of entertainment for the aristocracy, in the 1870s it also became a regular destination of some of the best known figures of art and the demi-monde. Edgar Degas and Henri de Toulouse-Lautrec portrayed visitors at the night club.

Artist:

Jules Cheret (1836-1932) 

French painter and lithographer who became known as a master of Belle Époque poster art and is recognised as the ‘father of the modern poster.’

Born in Paris to a poor but creative family of artisans. At the of age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the Ecole Nationale de Dessin. From 1859 to 1866, he trained in lithography in London and on returning to France, created vivid poster ads for the cabarets, music halls, and theatres such as the Eldorado, the Olympia, the Folies BergereTheatre de l’Opera, the Alcazar d’Ete and the Moulin Rouge

In 1895, Cheret created the series Maitres de l’Affiche, a collection of reduced posters of ninety-seven Parisian artists. This series was pivotal in the reassessment of posters being seen as merely advertising works but viewed for the first time as works of art. His success inspired an industry that saw the emergence of a new generation of poster designers and painters such as Charles Gesmar and Henri de Toulouse-Lautrec. 

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