C1844

Port Jackson from Dawes’ Battery.

Very rare lithograph Looking from Dawes Point and the battery to Fort Macquarie (Bennelong Point).  Collections: Australian War Memorial National /  ART94357National Gallery of Australia / 149912National Library of Australia / Bib ID511970  From Prout,  Sydney Illustrated.

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S/N: SILL-004-NS–199789
(C001)
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Details

Full Title:

Port Jackson from Dawes’ Battery.

Date:

C1844

Condition:

In good condition

Technique:

Hand coloured lithograph, with one tint.

Image Size: 

290mm 
x 187mm
AUTHENTICITY
Port Jackson from Dawes' Battery. - Antique Print from 1844

Genuine antique
dated:

1844

Description:

Very rare lithograph Looking from Dawes Point and the battery to Fort Macquarie (Bennelong Point). 

Collections:
Australian War Memorial National /  ART94357
National Gallery of Australia / 149912
National Library of Australia / Bib ID511970 

From Prout,  Sydney Illustrated.

John Skinner Prout (1805 - 1876)

John Skinner Prout (1805-1876) Important colonial artist born in England Prout emigrated to Australia in 1840 with his wife and seven children. He soon became involved in the colonial life as a commercial artist, lecturing and publishing his own series of lithographs titled, Sydney Illustrated and Tasmania Illustrated in 1844-1846. His time in Tasmania teaching drawing, sketching and watercolours created interest and fostered a number of colonial amateurs. He is represented in all major institutional collections. English artist, born in Plymouth, the nephew of Samuel Prout (1783-1852), whose architectural works were praised by John Ruskin. In 1828, John married Maria Heathilla Marsh in Devon. He taught himself art and dabbled in lithography. His focus was on capturing topographical views of ancient sites in western England. Moving to Sydney in 1840, he faced challenges but found success, including illustrating a journal and giving art lectures. He later visited Tasmania, where he gave popular lectures and published illustrated works. Tragedy struck with the death of his son in 1845. Prout returned to London in 1848, where he continued to promote Australian themes through lectures and publications. He died in 1876, leaving behind a significant artistic legacy. His influence on Tasmanian art was profound, inspiring a surge in landscape painting.

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