C1884

Setsugekka: Echigo, Niigata yuki, Ayume. (Echigo, Snow in Niigata, Ayume and Takane).

Artist:

Toyohara (Yoshu) Chikanobu (1838 - 1912)

The Japanese folk tale ‘Jiraiya Goketsu Monogatari’ (The Heroic Tales of Jiraiya) originally issued in a series of popular books written by Mizugaki Egao (1789~1846), Keisai Eisen (1790~1848), Ryukatei Tanekazu (1807~1858) and Ryusuitei Tanekiyo (1821~1907) were first adapted for Kabuki … Read Full Description

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S/N: 12-JWB-CHIK-CT087–183962
(C116)
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Details

Full Title:

Setsugekka: Echigo, Niigata yuki, Ayume. (Echigo, Snow in Niigata, Ayume and Takane).

Date:

C1884

Artist:

Toyohara (Yoshu) Chikanobu (1838 - 1912)

Condition:

In good condition.

Technique:

Woodblock

Image Size: 

210mm 
x 325mm
AUTHENTICITY
Setsugekka: Echigo, Niigata yuki, Ayume. (Echigo, Snow in Niigata, Ayume and Takane). - Antique Print from 1884

Genuine antique
dated:

1884

Description:

The Japanese folk tale ‘Jiraiya Goketsu Monogatari’ (The Heroic Tales of Jiraiya) originally issued in a series of popular books written by Mizugaki Egao (1789~1846), Keisai Eisen (1790~1848), Ryukatei Tanekazu (1807~1858) and Ryusuitei Tanekiyo (1821~1907) were first adapted for Kabuki in 1852. Jiraiya was a ninja who is able to change into a gigantic toad. He was the leader of a group of bandits in the snow country of Echigo. In this scene his men attack a mansion, capturing two women named Ayume and Takane, and making off with a palanquin. In the garden on the left hand side is a toad-shaped snow pile. Inset: Jiraiya framed within a window which has a toad in each corner, pointing to the fact that Jiraiya had obtained magic powers from toads. From the series Setsugekka. ‘Snow, Moon, Flowers’.

Biography:

Toyohara (Yoshu) Chikanobu (1838-1912)

Chikanobu was an important Meiji period nishiki-e artist (multi-coloured wood block printing) who documented Japan’s transition into the modern era while promoting traditional Japanese values through his prints. Little is known of Chikanbou’s life as his personal effects were destroyed in the 1923 earthquake and/or bombings of Toyko in the 1940’s. His personal name was Hasimoto Naoyoshi and as the son of a samurai he fought in a number of battles. He became a pupil of Kuniyoshi; at the age of about 15, taking the name Yoshitsuru and after the death of Kuniyoshi, he studied under Kunisada in 1852 and later in 1862 under Kunichika. In 1875 he moved to Edo, as an illustrator for a newspaper and became one of the most active and famous nishiki-e artists in Japan.

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