C1885

Setsugekka: Yamashiro, Ouchi, Onna no Sannomiya. (Yamashiro, Flowers of Ouchi, the Third Princess).

Artist:

Toyohara (Yoshu) Chikanobu (1838 - 1912)

In the C11th novel, Tale of Genjii, the Third Princess, young wife of the middle age Prince Genjii, ventures to the verandah of her quarters to observe courtiers playing kemari (a traditional football) wearing kariginu (decorative priestly robes that included … Read Full Description

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S/N: 38-JWB-CHIK-CT079–195023
(C)
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Setsugekka: Yamashiro, Ouchi, Onna no Sannomiya. (Yamashiro, Flowers of Ouchi, the Third Princess). Binjin, Kabuki, Landscapes etc

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Details

Full Title:

Setsugekka: Yamashiro, Ouchi, Onna no Sannomiya. (Yamashiro, Flowers of Ouchi, the Third Princess).

Date:

C1885

Artist:

Toyohara (Yoshu) Chikanobu (1838 - 1912)

Condition:

In good condition.

Technique:

Woodblock
AUTHENTICITY
Setsugekka: Yamashiro, Ouchi, Onna no Sannomiya. (Yamashiro, Flowers of Ouchi, the Third Princess). - Antique Print from 1885

Genuine antique
dated:

1885

Description:

In the C11th novel, Tale of Genjii, the Third Princess, young wife of the middle age Prince Genjii, ventures to the verandah of her quarters to observe courtiers playing kemari (a traditional football) wearing kariginu (decorative priestly robes that included a crow hat). Inset Three courtiers playing kemari. From the series Setsugekka. ‘Snow, Moon, Flowers’

Biography:

Toyohara (Yoshu) Chikanobu (1838-1912)

Chikanobu was an important Meiji period nishiki-eartist (multi-colouredwood block printing) who documented Japan’s transition into the modern era while promoting traditional Japanese values through his prints. Little is known of Chikanbou’s life as his personal effects were destroyed in the 1923 earthquake and/or bombings of Toyko in the 1940’s. His personal name was Hasimoto Naoyoshi and as the son of a samurai he fought in a number of battles. He became a pupil of Kuniyoshi; at the age of about 15, taking the name Yoshitsuru and after the death of Kuniyoshi, he studied under Kunisada in 1852 and later in 1862 under Kunichika. In 1875 he moved to Edo, as an illustrator for a newspaper and became one of the most active and famous nishiki-e artists in Japan.

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