C1887

Site of the “Eureka Stockade”_Shortly after the fight. Ballaarat 3rd Dec 1854. sic

Samuel Thomas Gill’s lithograph of the site of the Eureka Stockade, Ballarat. References: Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 18716. Collections: National Library Australia: Bib ID 632842 State Library New South Wales: CALL NUMBERS MB 2 … Read Full Description

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S/N: HOBA02-VC-112–196258
(C053)
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Details

Full Title:

Site of the “Eureka Stockade”_Shortly after the fight. Ballaarat 3rd Dec 1854. sic

Date:

C1887

Condition:

In good condition.

Technique:

Hand coloured lithograph.

Image Size: 

190mm 
x 108mm

Paper Size: 

213mm 
x 135mm
AUTHENTICITY
Site of the "Eureka Stockade"_Shortly after the fight. Ballaarat 3rd Dec 1854. sic - Antique View from 1887

Genuine antique
dated:

1887

Description:

Samuel Thomas Gill’s lithograph of the site of the Eureka Stockade, Ballarat.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 18716.

Collections:
National Library Australia: Bib ID 632842
State Library New South Wales: CALL NUMBERS MB 2 Q 34 , 992.2/1B3
State Library Victoria: RARELT 994.531 B21W (1887) B

Samuel Thomas Gill (1818 - 1880)

Samuel Thomas Gill (1818-1880) S.T. Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook's academy. His father taught him drawing and he was later employed in London as 'Draftsman and Water Colour Painter' by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 had established a studio in Gawler Place, Adelaide, which was open from 'eleven till dusk'; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches 'to paper suited for home conveyance'. In 1846 he accompanied the Horrock's expedition which reached the head of Spencer Gulf.  In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill's legacy is a large body of work which portrayed life during the greatest gold boom the world had ever seen.

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