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C1777
The Island of Otahiete bearing S.E. distant one league.
Artist:
Rare c.18th engraving of Tahiti from the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage. View of Point Venus and One-Tree Hill with Mount Orofena in the distance. Cook visited Tahiti for the second time between 22 … Read Full Description
$A 375
S/N: CK02E-PI-SOC-1181–228133
(F27)
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Details
Full Title:
The Island of Otahiete bearing S.E. distant one league.
Date:
C1777
Artist:
Condition:
In good condition, with folds as issued.
Technique:
Copper engraving.
Image Size:
235mm
x 465mm
Paper Size:
495mm
x 280mm
AUTHENTICITY
Genuine antique
dated:
1777
Description:
Rare c.18th engraving of Tahiti from the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage.
View of Point Venus and One-Tree Hill with Mount Orofena in the distance. Cook visited Tahiti for the second time between 22 April to 14 May 1774.
From Cook, J., A Voyage Towards the South Pole, and Round the World, performed in His Majesty’s Ships the ‘Resolution’ and ‘Adventure’, In the Years 1772, 1773, 1774, and 1775. London
References:
Beddie, M. Bibliography of Captain James Cook, RN,FRS, Circumnavigator. Sydney 1970: 1381-53, p.599
Hill, J. The Hill Collection of Pacific Voyages. San Diego 1974 : 358.
Sabin, J. A Dictionary of Books Relating to America, from its Discovery to the Present Time. New York. (1936) 1967 : 16245.
Joppien, R & Smith, B. The art of Captain Cook’s Three Voyages, Vol. II Melbourne 1987: 2.108A, ill.p.210
Collections:
National Library Australia: Bib ID 90039
National Library New Zealand: NLNZ ALMA 997580383502836
State Library New South Wales: RECORD IDENTIFIER 74VvMokVOlGA / 74VvMoxg6JJX
Yale University Library & Art Gallery: G420 C66 1777
William Hodges (1744 - 1797)
William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James's Market London. They encouraged their son's talent for drawing and placed him in William Shipley's drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master 'in dead colouring and the forwarding of pictures'. A short period of study under Wilson and Cipriani at the Duke of Richmond's Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July 1772 and returned on 29 July 1775.
