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C1852
Gold taken via Bendigo or elsewhere / Dangerously Suspicious Contributions Insisted on / Voluntary Principles Despised.
Artist:
Rare lithograph of the Victorian gold fields by Samuel Thomas Gill. From: Gill, S.T. Victoria gold diggings and diggers as they are, August 1852 Part the First. Melbourne References: Grishin, S. S.T. Gill & His Audience. Canberra 2015 : pp.76-. Ferguson, … Read Full Description
$A 275
S/N: GVGDAD-120-GILL–230421
(C089)
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Details
Full Title:
Gold taken via Bendigo or elsewhere / Dangerously Suspicious Contributions Insisted on / Voluntary Principles Despised.
Date:
C1852
Artist:
Condition:
Minor spotting on top right, otherwise in good condition.
Technique:
Hand coloured lithograph.
Paper Size:
161mm
x 204mm
AUTHENTICITY
Genuine antique
dated:
1852
Description:
Rare lithograph of the Victorian gold fields by Samuel Thomas Gill.
From: Gill, S.T. Victoria gold diggings and diggers as they are, August 1852 Part the First. Melbourne
References:
Grishin, S. S.T. Gill & His Audience. Canberra 2015 : pp.76-.
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9920.
Wantrup, J. Australian Rare Books. Sydney 1987 : 245.
Bowden, K. Samuel Thomas Gill Artist. Maryborough 1971 : Pg. 120.
Collections:
National Library Australia: PIC Volume 180 #S105-S129
Yale University Library & Art Gallery: DU230.B47 G55
Samuel Thomas Gill (1818 - 1880)
Samuel Thomas Gill (1818-1880) S.T. Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook's academy. His father taught him drawing and he was later employed in London as 'Draftsman and Water Colour Painter' by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 had established a studio in Gawler Place, Adelaide, which was open from 'eleven till dusk'; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches 'to paper suited for home conveyance'. In 1846 he accompanied the Horrock's expedition which reached the head of Spencer Gulf. In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill's legacy is a large body of work which portrayed life during the greatest gold boom the world had ever seen.
