C1883

The Railway Demonstration at Albury.-Allegorical Picture in the Banqueting Hall.

Scarce engraving relating to the joining of the Victoria and New South Wales rail at Albury in 1883. Thursday, June 14, 1883, will long remain a red-letter day in the annals of New South Wales and Victoria, for it beheld … Read Full Description

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Details

Full Title:

The Railway Demonstration at Albury.-Allegorical Picture in the Banqueting Hall.

Date:

C1883

Condition:

In good condition.

Technique:

Engraving.

Image Size: 

225mm 
x 325mm
AUTHENTICITY
The Railway Demonstration at Albury.-Allegorical Picture in the Banqueting Hall. - Antique Print from 1883

Genuine antique
dated:

1883

Description:

Scarce engraving relating to the joining of the Victoria and New South Wales rail at Albury in 1883.

Thursday, June 14, 1883, will long remain a red-letter day in the annals of New South Wales and Victoria, for it beheld the celebration of the iron wedding between the two colonies, the completion of that system of railway communication between Sydney and Melbourne, in which the thoughtful perceive the first link in the chain of Australian federation. The dream of the past has become the reality of the present, and the shrill whistle of the locomotive penetrates regions where it was but the other day that the dusky aboriginal ruled in all the plentitude of savage power. The contrast is as startling as it is suggestive and illustrates the rapid nature of the changes which are not only raising the Australian Colonies into a prominent place in the ranks of nations but preparing the way for their becoming the dominating power in the Southern Hemisphere.

From the original edition of the Illustrated Sydney News.  

Collections:
National Library Australia: Bib ID 440095
State Library New South Wales: F8/39-40
State Library Victoria: CINF SLVIC=1853-1872-RARENSL N.S.W.

William Macleod (1850 - 1929)

Colonial artist born 1850 in London arrived in Australia with his family who emigrated to join the gold rush in Victoria. Macleod trained with the Sydney artist Edmund Thomas at the Sydney Mechanics' School of Arts and was known first, as William Macleod Anderson or James Anderson. He travelled widely and won a reputation as a painter of portraits and cattle, a designer of stained-glass windows, and as illustrator with journals such as the Sydney Mail, the Australian Town and Country Journal and Queensland Punch. Macleod joined the Bulletin full time in 1886 in response to a plea from Archibald following the departure of W.H.Traill. They became joint owners in 1887, Macleod was the Bulletin's managing director for the next forty years. Macleod worked in a variety of art forms from stained glass to black-and-white drawing, oils, watercolour, engraving, lithography, clay modelling and sculpture. His strength was as an illustrator. In later life Macleod lived at Dunvegan, Mosman, where he painted, played bowls with zeal, and was a genial and kindly host. His works are represented in a number of institutional collections such as, in the Art Gallery of New South Wales and the National Gallery of Australia.

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