Within Australia
All orders ship freewithin Australia
Rest of the World
Orders over A$300
ship free worldwide
C1807
The Shepherds Dog.
Artist:
Miniature wood engraving by the famous artist and engraver, Thomas Bewick (1753-1828) of a Border Collie. The border collie is descended from landrace collies, a type found widely in the British Isles. Mention of “collie” or “colley” type first appeared … Read Full Description
$A 35
Free Shipping
See Shipping page for Terms & Conditions
Details
Full Title:
The Shepherds Dog.
Date:
C1807
Artist:
Condition:
In good condition.
Technique:
Wood engraving
Image Size:
72mm
x 45mm
Paper Size:
130mm
x 75mm
AUTHENTICITY
Genuine antique
dated:
1807
Description:
Miniature wood engraving by the famous artist and engraver, Thomas Bewick (1753-1828) of a Border Collie.
The border collie is descended from landrace collies, a type found widely in the British Isles. Mention of “collie” or “colley” type first appeared toward the end of the 19th century. Many of the best border collies today can be traced back to a dog known as Old Hemp. In 1915, James Reid, Secretary of the International Sheep Dog Society in the UK first used the term “border collie” to distinguish those dogs registered by the club from those of the Kennel Club’s collie (or Scotch collie, including the rough collie and smooth collie) which originally came from the same working stock but had developed a different, standardised appearance following introduction to the show ring in 1860 and mixture with different breeds.
References: Ferguson, 439a
From Bewick, A History of Quadrupeds.
Collections:
National Library Australia: Bib ID 1778546
State Library New South Wales: Reference code (AuSN)b21690418-61slnsw_inst
State Library Victoria: RARESÂ 599 B39
Thomas Bewick (1753 - 1828)
Thomas Bewick ( 1753 - 1828) Thomas Bewick, wood engraver, artist and naturalist, born at Cherryburn House, Ovingham, Northumberland. At the age of fourteen he was apprenticed to Ralph Beilby, the owner of an engraving business in Newcastle upon Tyne where was instructed in all the skills necessary to excel in the engraving business,. Beilby soon recognised Bewick's talent for woodcut engraving. He was set to work on a number of book illustrations, including children’s books such as Tommy Trip’s History of Beasts and Birds, Fables by the late Mr Gay and Select Fables for Thomas Saint, a Newcastle printer. Bewick's wood engravings were pioneering in their day because unlike the wood cuts used by his predecessors, which were carved against the grain, he used the end grain of hard box wood. This allowed him to use fine tools normally the same as those used by metal engravers. One of Bewick's wood blocks Boxwood cut across the end-grain is hard enough for fine engraving, allowing greater detail than in a wood cut.
