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C1785
Un Homme De L’Entree De Nootka.
Artist:
Rare engraving from the French edition of Cook’s voyages. Cook anchored in Resolution (Ship) Cove (Bligh Island), Hope Bay (Nootka Sound) and made much needed repairs to the ships. Webber recorded the dwellings and peoples during the stay. It is … Read Full Description
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Details
Full Title:
Un Homme De L’Entree De Nootka.
Date:
C1785
Artist:
Condition:
In good condition.
Technique:
Copper engraving.
Image Size:
180mm
x 240mm
Paper Size:
202mm
x 270mm
AUTHENTICITY
Genuine antique
dated:
1785
Description:
Rare engraving from the French edition of Cook’s voyages.
Cook anchored in Resolution (Ship) Cove (Bligh Island), Hope Bay (Nootka
Sound) and made much needed repairs to the ships. Webber recorded the
dwellings and peoples during the stay. It is possible that the houses
depicted belong to the village of Yuquot, which Cook visited with Webber
on 22 April 1778.
‘After having made a general view of their
habitations, I sought for an inside, which might furnish me with
sufficient matter to convey a perfect idea of the mode in which these
people live. Such was soon found. While I was employed, a man approached
me wi th a large knife in his hand, seemingly displeased, when he
observed that my eyes were fixed on two representations of human
figures, which were placed at one end of the apartment, carved on
planks, of a gigantic proportion, and painted after their custom .
However, I took as little notice of him as possible, and proceeded to
prevent which, he soon provided himself with a mat, and placed it in
such a manner as to hinder my having any longer a sight of them. Being
pretty certain that I could have no futur e opportunity to finish my
drawing, and the object being too interesting to be omitted, I
considered that a little bribery might probably have some effect.
Accordingly, I made an offer of a button from my coat, which, being of
metal, I thought they would be pleased with. This, instantly, produced
the desired effect. For the mat was removed, and I was left at liberty
to proceed as before. Scarcely had I seated myself, and made a
beginning, when he returned and renewed his former practice, continuing
it til l I had parted with every single button and when he saw that he
had completely stripped me, I met with no farther obstruction’.
‘their
houses or dwellings are situated close to the shore. They consist in a
long range of buildings, some of which are one hundred and fifty feet in
length, twenty or thirty broad and seven or eight high from the floor
to the roof, which in them all is flat and covered with loose boards.
Cook Journals III, 1, 306 & 317.
This engraving is from, Cook & King, Troisieme voyage de Cook, ou journal d’une expédition faite dans la Mer Pacifique du Sud & du Nord, en 1776, 1777, 1778, 1779 & 1780. Traduit de l’anglois.Paris, Pissot & Laporte, 1782.
John Webber (1752 - 1793)
John Webber was an 18th century artist, best known for his work as the official artist on Captain James Cook's third and final voyage to the Pacific in 1776-1780. He was born in London, England in 1751 and was trained as an artist. Webber accompanied Cook on his voyage as the official artist, tasked with creating drawings and paintings of the places and people they encountered. He produced many illustrations and sketches that were used to make engravings for inclusion in the official account of the voyage, published after Cook's death. Webber was required to "give a more perfect idea thereof than can be formed by written description." Webber's illustrations and engravings of the Pacific islands and their inhabitants are considered some of the most accurate and detailed depictions of the region from that time. They provide an important record of the places and people encountered by Cook and his crew, and are valuable for understanding the culture and daily life of the people of the Pacific during the 18th century. He died in London in 1793, after having returned from the voyage, but his work continues to be recognised as an important historical record of the voyage and of the art of his time. Webber's oeuvre from the voyage was the most comprehensive record of sights in the Pacific region ever produced.
