C1882

Australia and New Zealand.

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S/N: TCAAG-AM-991–230991
(C091)
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View of Sydney, on the South Side of Norfolk Island. PACIFIC

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View of Sydney, on the South Side of Norfolk Island. PACIFIC

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Details

Full Title:

Australia and New Zealand.

Date:

C1882

Condition:

Small repaired tear to left hand side sheet, otherwise in good condition, with folds as issued.

Technique:

Copper engraving with original hand colouring.

Image Size: 

505mm 
x 330mm
AUTHENTICITY
Australia and New Zealand. - Antique Map from 1882

Genuine antique
dated:

1882

Description:

Detailed map of Australia with an inset of Torres Strait at top right by Edward Weller

Reference: Tooley 213, pp.31

From W.G. Blackie’s,The Comprehensive Atlas & Geography of the World…

Edward Weller (1819 - 1884)

Distinguished British cartographer, engraver, and publisher whose work contributed significantly to the popular dissemination of geographic knowledge in the mid to late c.19th. Active during a period of rapid expansion in global exploration and imperial cartography, Weller became one of the foremost mapmakers associated with The Weekly Dispatch Atlas and later the London Atlas of Universal Geography, works that brought high-quality maps to a broad middle-class readership.

Born in London in 1819, Weller trained as a draughtsman and engraver in an era when advances in lithography and steel-plate engraving were transforming the mapmaking industry. By the 1840s, he had established himself at 34 Red Lion Square, Holborn, where he operated as an engraver, draughtsman, and publisher. His early work included finely engraved maps for a variety of publishers and periodicals, but he rose to prominence through his long association with the publisher Cassell, Petter & Galpin.

Edward Weller’s contributions helped standardise mid-Victorian cartographic design and facilitated public engagement with geography through affordable, well-made maps. He remained active in London until his death in 1884. His output represents a bridge between the artisanal engraving traditions of the early nineteenth century and the industrial lithographic production that came to dominate the later Victorian period.

View other items by Edward Weller

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