C1857

Government Camp, Creswick Creek.

Artist:

Samuel Thomas Gill (1818 - 1880)

$A 145

Scarce, c.19th hand coloured engraved view of Creswick Creek The “Government Camp, Creswick Creek” was the local administrative and policing headquarters established by the Victorian Government on the Creswick goldfield during the gold rush. It was situated on the hill … Read Full Description

In stock

S/N: VILL-VC-0113–200495
(C054)
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View on the Upper Derwent, as seen from Macquarie Plains, Tasmania. Tasmania

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Details

Full Title:

Government Camp, Creswick Creek.

Date:

C1857

Artist:

Samuel Thomas Gill (1818 - 1880)

Engraver:

J. Tingle 

Condition:

In good condition

Technique:

Hand coloured engraving.

Image Size: 

170mm 
x 130mm

Paper Size: 

270mm 
x 203mm
AUTHENTICITY
Government Camp, Creswick Creek. - Antique View from 1857

Genuine antique
dated:

1857

Description:

Scarce, c.19th hand coloured engraved view of Creswick Creek

The “Government Camp, Creswick Creek” was the local administrative and policing headquarters established by the Victorian Government on the Creswick goldfield during the gold rush. It was situated on the hill at the northern end of the early settlement, overlooking the diggings and Creswick Creek, on what became known as Commissioner’s Hill.  By 1853 the camp consisted largely of tents and rudimentary timber structures. Alexander Hunter, who arrived at Creswick in that year, described a large tent occupied by the Goldfields Commissioner, with adjoining tents for government servants and police, together with a small slab hut and a slab-and-bark lock-up for prisoners. The camp therefore functioned as the centre of government administration, policing and the enforcement of the goldfields regulations.  By 1855, when S. T. Gill depicted the site, it remained a rough goldfields administrative settlement rather than a formal government complex. Gill’s view shows the Commissioner’s buildings and flagpole on the hill, with tents, miners, police, carts and a timber bridge across the creek below. The surrounding diggings were predominantly alluvial, with miners using pans, buckets and windlasses to work the shallow leads.  The Government Camp was also involved in the political unrest surrounding the gold licence system. In October 1854 Creswick miners threatened to burn the camp and remove the government officials, and Creswick subsequently contributed men to the Ballarat Reform movement preceding the Eureka Stockade.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 9924, 15440b.
Wantrup, J. Australian Rare Books. Sydney 1987 260a, 260b.
Kerr, J. The Dictionary of Australian Artists Painters, Sketchers, Photographers….to 1870 Melbourne 1992 p.296-298.
Bowden, K. Samuel Thomas Gill Artist. Maryborough 1971 p.77-81, p.120.

Collections:
State Library Victoria: RARELTF 919.45 V66 A
National Library Australia: Bib ID 453023
State Library New South Wales: Q85/66

Artist:

Samuel Thomas Gill (1818-1880)

S.T.Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook’s academy. His father taught him drawing and he was later employed in London as ‘Draftsman and Water Colour Painter’ by the Hubard Profile Gallery, an establishment which produced silhouettes.

He arrived in South Australia in 1839 and by March 1840 he had established a studio in Gawler Place, Adelaide, which was open from ‘eleven till dusk‘; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches ‘to paper suited for home conveyance‘. In 1846 he accompanied the expedition Horrocks which reached the head of Spencer Gulf.

In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital.

Gill’s legacy is a large body of work which portrayed life during the greatest gold boom the world had seen.

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