C1580

Indiae Orientalis Insularumque Adiacientium Typus.

$A 4,750

Superb c.1580 map of the East Indies and one of the earliest published maps to show the much sought after Spice Islands. Superbly decorated with a pair of frolicking mermaids, galleons, sea monsters, a crest and decorative title within a … Read Full Description

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S/N: ORTE-ASI-EI-166-1580-GP084–526511
(RW05-B)
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Details

Full Title:

Indiae Orientalis Insularumque Adiacientium Typus.

Date:

C1580

Condition:

In good condition, with centre fold as issued. Wide undamaged margins.

Technique:

Hand coloured copper engraving.

Image Size: 

495mm 
x 350mm

Paper Size: 

557mm 
x 420mm
AUTHENTICITY
Indiae Orientalis Insularumque Adiacientium Typus. - Antique Map from 1580

Genuine antique
dated:

1580

Description:

Superb c.1580 map of the East Indies and one of the earliest published maps to show the much sought after Spice Islands.

Superbly decorated with a pair of frolicking mermaids, galleons, sea monsters, a crest and decorative title within a strap work frame.

Issued in Abraham Ortelius’s, Theatrum Orbis Terrarum, the first ‘modern atlas’ in which all the maps were issued for the first time in a uniform size and format.

Ortelius’s map of the Indies improved upon the positioning of the all important Moluccas (the Spice Islands), than those of Gastaldi 1548, Ramusio 1554 and Forlani 1565. Much confusion resulted from the incorrect mapping of the Indies, after the travel accounts of Marco Polo’s, Divisament du Monde (Description of the World) were revealed in 1299 and specifically, the account of his five month stay in northern Sumatra, which was incorrectly scribed. Marco Polo’s relative positioning of Java Grande and Java Minor, was to confuse cartographers for the next three centuries. The tip of Terra Australis Incognita is named Beach, which again can be traced back to the incorrectly scribed accounts of Marco Polo’s travels, which mistakenly corrupted Polo’s mythical kingdom of Lochac to Boeach, which was then shortened to Beach.

This edition of the map is identified as being published in 1580 by having German text on the verso and the page number 84 and with the last line, centred like 4 lines above it, in Gothic script: lassen außgehen.

References:
Van Den Broecke, M. P. R. Ortelius Atlas Maps.1996 Netherlands: 166.
Clancy, R. The Mapping of Terra Australia. Sydney 1995: p.70 ill. map 5.16.
Cortazzi, H. Isles of Gold Antique Maps of Japan. Tokyo 1992: p.20, ill.17 pp.80-81.
Parry, D. The Cartography of the East Indian Islands Insulae Indiae Orientalis. London 2005 : pp. 76-80, ill. plate 3.14.
Quirino, C. Philippine Cartography (1320-1899) Amsterdam 2010 Manila : p.96, ill.pp.86-87.
Suarez, T. Early Mapping of Southeast Asia. Singapore 1999 : p.164-168 ill.166-167.
Tooley, R.V. The Mapping of Australia. London 1979 : 937.
Walter, L. Japan a Cartographic Vision. New York 1994 : ill.11d, detail 11d.
Kroght, P. Koeman’s Atlantes Neerlandici. Amsterdam 1997. Nine volumes : 31:054 (121) 121 Vol IIIA, p.126.

Collections:
National Library Australia: Bib ID 3421411 (1601)
State Library New South Wales: MMS ID 991001095349702626 (1612)

Abraham Ortelius (1527 - 1598)

Flemish cartographer, geographer, and publisher, born in Antwerp on 14 April 1527. He is celebrated as the creator of the Theatrum Orbis Terrarum (Theatre of the World), first published in 1570, widely regarded as the first modern atlas and one of the most influential cartographic works of the sixteenth century.

Trained as a map colourist and illuminator, Ortelius joined the Antwerp Guild of St Luke as a map illuminator in 1547, initially working in partnership with his sister, Anne. He began his career as a map and print dealer, trading in geographical materials and decorative prints across Europe. His extensive travels—to France, Germany, Italy, and notably to London where he met the English cartographer John Dee and the great mapmaker Gerardus Mercator—broadened his intellectual and professional network. Mercator’s work and ideas profoundly influenced Ortelius’s approach to geography and cosmography.

Ortelius’s Theatrum Orbis Terrarum was first issued in Antwerp in 1570 by the printer Gilles Coppens de Diest. Comprising seventy engraved maps with accompanying text, it presented a consistent format and unified design, with maps engraved chiefly by Frans Hogenberg. Each map was carefully attributed to its original source, a practice that reflected Ortelius’s scholarly integrity and established an early model for bibliographic citation in cartography. The Theatrum was an unprecedented success, appearing in more than forty editions and seven languages over the next four decades.

In 1573 Ortelius issued the Additamentum, the first supplement to the atlas, introducing new maps and expanding its global scope. Among his other important works were the Synonymia Geographica (1578), a geographical dictionary of ancient and modern place names, and Thesaurus Geographicus (1596), both significant contributions to Renaissance geographical scholarship.

Ortelius was also among the first to propose, in marginal notes to his maps, that the continents might once have been joined before drifting apart—an early precursor to modern theories of continental drift. His combination of scientific precision, humanist learning, and aesthetic refinement made him a central figure in the golden age of Netherlandish cartography.

He maintained close associations with leading scholars and artists of his time, including Justus Lipsius, Christopher Plantin, and the cartographers Gerard de Jode and Petrus Plancius. His friendship with Mercator remained of great importance throughout his life, and Mercator dedicated several works to him.

Ortelius was appointed Royal Geographer to King Philip II of Spain in 1575, in recognition of his contributions to geography and the prestige his atlas brought to the Spanish Netherlands. He continued to reside in Antwerp, where he also acted as a patron to younger scholars and artists.

Abraham Ortelius died in Antwerp on 28 June 1598 and was buried in the Church of St Michael’s Abbey. His epitaph reads Quietis cultor sine lite, uxore, prole—“A worshipper of tranquillity, without dispute, wife, or children.” His maps and atlases remain milestones in the history of cartography, bridging medieval cosmography and the emerging scientific geography of the early modern world.

View other items by Abraham Ortelius

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