C1887

St Mary’s Church, West Maitland.

$A 55

Scarce engraved view of the Edmund Blacket designed St. Mary’s church, Maitland., showing it with the completed bell tower. It replaced the earlier 1843 church that Blacket found would be too costly to enlarge and repair. Blacket’s design provided for … Read Full Description

In stock

S/N: PAA-NC-1103A–218262
(B002)
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View of Sydney, on the South Side of Norfolk Island. PACIFIC

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Details

Full Title:

St Mary’s Church, West Maitland.

Date:

C1887

Condition:

In good condition

Technique:

Hand coloured engraving.

Image Size: 

105mm 
x 135mm
AUTHENTICITY
St Mary's Church, West Maitland. - Antique View from 1887

Genuine antique
dated:

1887

Description:

Scarce engraved view of the Edmund Blacket designed St. Mary’s church, Maitland., showing it with the completed bell tower.

It replaced the earlier 1843 church that Blacket found would be too costly to enlarge and repair. Blacket’s design provided for a nave, chancel, north and south aisles, two porches, vestry, tower and spire, seating 700 parishioners. The foundation stone was laid on 7 September 1860. It finally opened for services on 18 July 1867. The bell tower was completed in 1887.

Albert Henry Fullwood (1863 - 1930)

English artist trained at the Birmingham School of Art before emigrating to Sydney in 1883. He initially worked for John Sands Ltd and as an illustrator for Henry Parkes Garran, while travelling widely across northern Australia, New Guinea, and New Zealand. In the 1880s he associated with leading colonial artists, including Tom Roberts and Arthur Streeton, and, encouraged by Livingston Hopkins, developed a strong interest in etching. He contributed illustrations to prominent British and Australian periodicals and was active in the Art Society of New South Wales, later helping to establish the Society of Artists.

In 1900 Fullwood relocated abroad, spending a year in New York before settling in London, where he worked as an illustrator and exhibited at the Royal Academy of Arts and the Salon de la Société des Artistes Français. A member of the Chelsea Arts Club, he served during the World War I with the Allied Arts Corps and later the Royal Army Medical Corps. In 1918 he was appointed an official artist with the Australian Imperial Force in France, depicting the Western Front. Returning to Sydney after demobilisation in 1919, he co-founded the Australian Painter-Etchers’ Society with John Shirlow and became a member of the Australian Watercolour Institute. He died of pneumonia on 1 October 1930.

View other items by Albert Henry Fullwood

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