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Miniature wood engraving by the famous artist and engraver, Thomas Bewick (1753-1828) of English road horse. Bewick’s description; Is a strong, vigorous, and active kind, capable of enduring great hardship ; its stature rather low, seldom exceeding fifteen hands ; … Read Full Description
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Miniature wood engraving by the famous artist and engraver, Thomas Bewick (1753-1828) of English road horse.
Bewick’s description; Is a strong, vigorous, and active kind, capable of enduring great hardship ; its stature rather low, seldom exceeding fifteen hands ; the body round and compact, its limbs strong, and its head thick. Although this breed has of late years been neglected, and almost totally superseded by Horses of another kind, more nearly related to the Race-horse, where the fashion of figure seems to have been preferred to utility, we cannot help congratulating our associated countrymen [agricultural societies] on their spirited exertions towards public improvement, in which nothing of excellency in the various kinds of domestic animals is suffered to escape their vigilance, and this kind is again likely to be brought into notice. A mare of this breed, in the possession of Arthur Mowbray, Esq. of Sherburn, appears to us to possess all the valuable properties attributed to the old Road-Horse.
References: Ferguson, 439a
From Bewick, A History of Quadrupeds.
Collections:
National Library Australia: Bib ID 1778546
State Library New South Wales: Reference code (AuSN)b21690418-61slnsw_inst
State Library Victoria: RARES 599 B39
Thomas Bewick (1753 - 1828)
Thomas Bewick ( 1753 - 1828) Thomas Bewick, wood engraver, artist and naturalist, born at Cherryburn House, Ovingham, Northumberland. At the age of fourteen he was apprenticed to Ralph Beilby, the owner of an engraving business in Newcastle upon Tyne where was instructed in all the skills necessary to excel in the engraving business,. Beilby soon recognised Bewick's talent for woodcut engraving. He was set to work on a number of book illustrations, including children’s books such as Tommy Trip’s History of Beasts and Birds, Fables by the late Mr Gay and Select Fables for Thomas Saint, a Newcastle printer. Bewick's wood engravings were pioneering in their day because unlike the wood cuts used by his predecessors, which were carved against the grain, he used the end grain of hard box wood. This allowed him to use fine tools normally the same as those used by metal engravers. One of Bewick's wood blocks Boxwood cut across the end-grain is hard enough for fine engraving, allowing greater detail than in a wood cut.
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1845
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