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C1660
Vestigi del Circo Massimo che su cosi cognomnato della sua grandersa a perche era maggiore deglatri cho fossero in Roma et non super altro ordinato detto Circo che…
Artist:
Scarce c.17th engraving of Roman antiquities; depicts the ruins Circus Maximus. The Circus Maximus was an ancient Roman stadium for public games, situated in the valley between the Aventine and Palatine hills, it was the first and largest stadium in … Read Full Description
$A 245
S/N: VDADR-012–221967
(C114)
Categories: Architecture, Italy, PRINTS & PHOTOGRAPHS, ARCHITECTURAL & DESIGN, TOPOGRAPHICAL VIEWS, EUROPE, SUBJECTS A-Z
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Full Title:
Vestigi del Circo Massimo che su cosi cognomnato della sua grandersa a perche era maggiore deglatri cho fossero in Roma et non super altro ordinato detto Circo che…
Date:
C1660
Artist:
Condition:
In good condition.
Technique:
Copper engraving.
Image Size:
265mm
x 135mm
Paper Size:
370mm
x 240mm
AUTHENTICITY
Genuine antique
dated:
1660
Description:
Scarce c.17th engraving of Roman antiquities; depicts the ruins Circus Maximus. The Circus Maximus was an ancient Roman stadium for public games, situated in the valley between the Aventine and Palatine hills, it was the first and largest stadium in ancient Rome.
From, Saedler, Vestigi delle antichita di Roma, Tivoli, Pozzuolo et altri luochi.
Marco Sadeler (1614 - 1660)
Marco Sadeler (1614–1660) This series capitalised on the renewed interest in the monuments of classical antiquity which reached its climax in sixteenth century Rome. Marco Sadeler, whose name appears on the plates, was an engraver and print seller in Prague in the early 1600’s and probably the nephew of Aegidius.
