C1860

View of Damascus from the Hill of Salahiyeh.

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S/N: ILN-MI-600915250–486620
(DRW 14)
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Details

Full Title:

View of Damascus from the Hill of Salahiyeh.

Date:

C1860

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size: 

343mm 
x 237mm

Paper Size: 

398mm 
x 278mm
AUTHENTICITY
View of Damascus from the Hill of Salahiyeh. - Antique View from 1860

Genuine antique
dated:

1860

Description:

Scarce c.19th engraved view of Damascus.

From the original edition of The Illustrated London News.

References:
De Vries, L. History as Hot News: World of the Early Victorians Through the Eyes of the “Illustrated London News”.. London 1996 :.

Collections:
National Library Australia: Bib ID 8438724
State Library Victoria: RARELTEF 052 IL696I
State Library New South Wales: RECORD IDENTIFIER 74Vv5Oy4wEgl

Richard Principal Leitch (1827 - 1882)

Richard Principal Leitch (1827-1882) The son of the painter and drawing-master, William Leighton Leitch (1804–1883). Richard P. Leitch was a landscape painter, an excellent water-colour painter and a good draughtsman on wood’ (MacGeorge, 112), he exhibited between 1844 and 1860 at the Royal Academy as R. Leitch Junior, at first from his father’s address. His View on the River Limpopo with a Herd of Hippopotami (reproduced in the Illustrated London News of 5 January 1856) was among scenes painted for Gordon Cumming’s South African Entertainment at 232 Piccadilly, London, in 1856. He also signed an engraving based on one of Charles Wirgman’s watercolour sketches of China in the Illustrated London News (1857–8). In September 1857 he was in Normandy painting watercolours for Queen Victoria. Thereafter, especially when his father was ill, he painted extensively for the queen and gave lessons to her children; the styles of father and son are often confused. William Leitch stated that both Richard and a younger son, William, were ‘most graciously set a-going’ by the queen (letter of 28 Nov 1882; private information). Richard Leitch published drawing manuals in the 1870s and early 1880s and worked as an illustrator for journals such as The Quiver and Good Words. His wife died a few months before him in 1882, leaving two children.

View other items by Richard Principal Leitch

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