C1814
 (1888)

Views of Sydney Cove. East side & West side.

$A 4,250

Pair of famous c.19th hand coloured lithographic panoramas of Sydney Cove, (present day Circular Quay) published by William Dymock in 1888 during the celebrations of 100 years of colonial settlement. These panoramas were originally issued as aquatints by John Eyre … Read Full Description

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S/N: NS-DYMOCK–220205
(MD16)
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Knapdalia Provincia que sub Argathelia censetur. The Province of Knapdail which is accounted a member of Argyll. BRITISH ISLES

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Details

Full Title:

Views of Sydney Cove. East side & West side.

Date:

C1814
 (1888)

Engraver:

William Dymock 

Condition:

Two sheets joined, laid on archival linen.

Technique:

Hand coloured lithographs.

Image Size: 

990mm 
x 335mm
AUTHENTICITY
Views of Sydney Cove. East side & West side. - Antique View from 1814

Genuine antique
dated:

1888

Description:

Pair of famous c.19th hand coloured lithographic panoramas of Sydney Cove, (present day Circular Quay) published by William Dymock in 1888 during the celebrations of 100 years of colonial settlement. These panoramas were originally issued as aquatints by John Eyre in 1814.

Four views of Sydney, taken in the year 1810, have been published by Mr. William Dymock… Sydney itself, although it straggled over a large area, resembled a group of villages, which had established them- selves upon a number of picturesque eminences overlooking the waters of the harbour. The high land on the west side of the cove was surmounted by a couple of windmills, one of which was enclosed, for the sake of greater security, by the stone walls of the citadel; and there was a battery on Dawes’s Point, near which a sloop of war was anchored. Government-house was an unpretentious two-story edifice, built of brick, and surrounded by a verandah. Circular Quay was a green slope, and large gardens running down to the water’s edge occupied the site of what are now busy wharves….

These views, while making no pretension to be regarded as works of art, possess an interest which will increase with lapse of time, for the Sydney of the year 2000, it may be safely predicted, will be as unlike the Sydney of 1810 as the London depicted by Hollar is unlike the London of Queen Victoria.

[The Argus (Melbourne), Saturday 30 August 1884, p. 9.]

 

John Eyre (1771 - )

Pardoned convict, was an early Australian painter and engraver, born in Coventry, Warwickshire in England. Aged 13 years in 1794, he was apprenticed to his father, a wool-comber and weaver, and became a Coventry freeman in August 1792. On 23 March 1799 he was sentenced to transportation for seven years for housebreaking, and reached Sydney in the transport Canada in December 1801. Granted a conditional pardon on 4 June 1804, Eyre's early drawings are dated from around this time. He generally focused on urban landscapes, giving his creative output value as both works of art and historical records. Over the course of Eyre's artistic career, his work progressed from purely representative topographical depictions, to more artistic compositions with embellishments such as Aboriginal figures and ships at sea. This progression is typical of the developmental pattern of landscape depiction in the early colonial period. He left the Colony as a free man in 1812; nothing is known of his later life.

View other items by John Eyre

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