Botanical engravings from, Curtis’s Botanical Magazine: or, Flower-Garden Displayed.
Curtis initially worked for Curtis’s Botanical Magazine, until a dispute with the publishers when he started his own rival magazine The Botanical Register. He was born in Monmouthshire, a from an early age demonstrated a precocious talent for drawing and when only 11 years old had copied plates from Flora Londinensis. A friend of William Curtis, the publisher visited the Edwards and recommended the boy to Curtis. Curtis proceeded to have Edwards trained in both botany and botanical illustration. Edwards was a prolific talent and between 1787 and 1815 he produced over 1,700 watercolours for Curtis’s Botanical Magazine. He established The Botanical Register in 1815 after a disagreement with John Sims, Curtis’s editor.
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![Moraea Edulis. Long leaved Moraea. [Cape Tulip] General / Global Moraea Edulis. Long leaved Moraea. [Cape Tulip]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_1671_copy.jpg?fit=163%2C270&ssl=1)
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![Stapelia Radiata. Starry Stapelia. [Carrion Flower] World - Nonindigenous - Curtis's - Botanical Magazine Stapelia Radiata. Starry Stapelia. [Carrion Flower]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_2104_copy.jpg?fit=156%2C270&ssl=1)
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Curtis’s Botanical Magazine — Antique Botanical Prints
Curtis’s Botanical Magazine, first published in 1787 and continuing without interruption to the present day, is the oldest botanical periodical still in publication — a distinction that reflects the extraordinary combination of scientific rigour, artistic quality and popular appeal that has sustained it through more than two centuries of botanical publishing. The antique plates produced for the Magazine across its early decades represent some of the finest examples of botanical illustration ever published in a periodical format, and individual prints from these issues are among the most sought-after items in the antique botanical print market.
William Curtis founded the Magazine in 1787 with the dual aim of documenting the plants cultivated in English gardens and greenhouses and of providing accurate and beautiful illustrations for the growing community of amateur and professional botanists who sought accessible illustrated references for plant identification and study. The Magazine’s plates — produced as hand-coloured engravings in the early decades and subsequently as hand-coloured lithographs — depicted each plant with the botanical accuracy required for scientific purposes alongside the decorative appeal necessary to attract and retain a broad readership of gardening enthusiasts and plant collectors.
Sydenham Edwards, whose story is partially told in the existing description of this category, was among the most prolific and talented of the artists who contributed to the Magazine’s early decades. His more than 1,700 watercolours for the publication established a visual standard that subsequent contributors maintained and extended, creating a consistent body of botanical illustration of extraordinary quality across the period from 1787 through the 19th century.
The plants depicted in Curtis’s Botanical Magazine plates encompass an extraordinary range of species — exotic introductions from Asia, Africa, the Americas and Australia, alongside European garden cultivars, alpine plants, succulents and the full diversity of the botanical world as it was known and cultivated in British gardens across the late 18th and 19th centuries. Many plates depict species that were new to science or newly introduced to cultivation at the time of publication, giving them a documentary significance as records of botanical discovery alongside their decorative appeal.
Antique botanical prints from Curtis’s Botanical Magazine are collected for their exceptional artistic quality, their botanical importance as records of specific plants at specific moments in the history of botanical discovery and cultivation, and their connection to the most distinguished tradition of periodic botanical illustration in the English-speaking world.
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