Original antique prints, engravings and illustrations depicting wine, champagne, viticulture and related subjects from the 17th to the 19th century.
![Carte des Gouvernements de Bourgogne, de Franche Comte et de Lyonnois. Projettee et Assujiettie au Ciel par M.Bonne. [Burgundy] France Carte des Gouvernements de Bourgogne, de Franche Comte et de Lyonnois. Projettee et Assujiettie au Ciel par M.Bonne. [Burgundy]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_1048_copy.jpg?fit=197%2C270&ssl=1)
1771
![Carte des Gouvernements du Berri, du Nivernois, dela Marche, du Nivernois, de la Marche, du Bourbonnois, du Limosin et de L’Auvergne.. Projettee et Assujiettie au Ciel par M.Bonne. [Burgundy] France Carte des Gouvernements du Berri, du Nivernois, dela Marche, du Nivernois, de la Marche, du Bourbonnois, du Limosin et de L'Auvergne.. Projettee et Assujiettie au Ciel par M.Bonne. [Burgundy]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_1054_copy.jpg?fit=198%2C270&ssl=1)
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Antique Prints of Wine, Champagne and Viticulture
This category brings together original antique prints, engravings and illustrations depicting wine, champagne and the broader world of viticulture — the vineyards, wine cellars, grape harvests, wine vessels and the social culture of wine drinking that generated illustrated attention across the 17th, 18th and 19th centuries. These works connect the documentary tradition of agricultural and occupational illustration to the particular pleasures and social significance of one of the most culturally loaded of all agricultural products.
The grape harvest and vintage — among the most visually compelling subjects in the agricultural calendar — attracted topographical and genre artists whose depictions of vineyard workers, harvest carts and the communal labour of the vendange appear in prints produced across the wine-growing regions of France, Italy, Germany and Spain. These harvest scenes combine agricultural documentation with the picturesque appeal of seasonal labour performed in dramatic landscape settings, and they appear in the illustrated travel accounts, topographical publications and popular prints of the period alongside more explicitly agricultural treatments of the subject.
Wine cellars, cooperages and the technical processes of wine production — the pressing, fermenting, racking and bottling that transformed grape must into wine — appear in the technical and encyclopaedic illustrations of the 17th and 18th centuries, documenting the pre-industrial wine trade with the same precision applied to other crafts and industries. These technical prints, derived from publications including the French Encyclopedie and its counterparts in other European languages, carry the combined interest of technical documentation and visual specificity that makes encyclopaedic illustration one of the most informative bodies of material in the antique print tradition.
Champagne — as a distinct and celebrated category of wine associated with celebration, luxury and the culture of the French elite — generated its own body of illustrated material, particularly in the 19th century as champagne production industrialised and the great Champagne houses developed the advertising and promotional culture that shaped the perception of the beverage. Prints depicting champagne production, the famous cellar systems of Reims and Epernay, and the social occasions at which champagne was consumed document both the industry and its cultural significance with period authenticity.
Antique wine and champagne prints are collected for their documentary interest as records of agricultural and artisanal practice, their connection to the visual culture of food and drink in European society, and the decorative appeal of subjects that combine agricultural observation with the cultural associations of one of the world’s most celebrated beverages.
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