Subjects within this category

1893

1893

1894

1894

1894

1894

1894
![[Seated Woman] International photography [Seated Woman]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2022/11/MG_6763.jpg?fit=270%2C186&ssl=1)
1895

1895

1895

1899

1900

1901

1901

1905

1905

1905

1905

1905

1905

1905

1905

1905

1917

1920

1920

1920
![[35. Japanese capturing and destroying British Armoured Unit after taking Rangoon.] International photography [35. Japanese capturing and destroying British Armoured Unit after taking Rangoon.]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_7324a_copy.jpg?fit=270%2C200&ssl=1)
1942
![[The Star Banner fell to the ground on the island of Ma-la, Manila. Taken by the Japanese 1st Jan, 1942.] International photography [The Star Banner fell to the ground on the island of Ma-la, Manila. Taken by the Japanese 1st Jan, 1942.]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_7308a_copy.jpg?fit=270%2C197&ssl=1)
1942
![[36. Japanese Capturing Yenangyaung Oil Fields Burma (Myanmar).] International photography [36. Japanese Capturing Yenangyaung Oil Fields Burma (Myanmar).]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_7326a_copy.jpg?fit=195%2C270&ssl=1)
1942
![[Japanese Propaganda Photograph] [7. ‘Peace Mission’, Hong Kong, with hostage Edna Lee.] International photography Placeholder](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/04/antique-a-light.gif?fit=200%2C200&ssl=1)
1942

1950

1950

1957
Antique Topographical Views and Prints of Asia
This category brings together original antique views, engravings and lithographs depicting Asia in its full geographic extent — from the Ottoman Empire and the Levant in the west, through Persia, India and Southeast Asia, to China, Japan and the Pacific rim. These works were produced by European publishers from the 17th through the 19th century and represent the accumulated visual record of a continent encountered through trade, diplomacy, scholarship and exploration.
The Near East and Ottoman Empire generated some of the earliest and most sustained traditions of European topographical illustration. Views of Constantinople, Jerusalem, Alexandria, Damascus and the holy sites of the Levant appeared in pilgrimage accounts, geographical encyclopaedias and illustrated travel narratives from the 16th century onwards. The Levant and Egypt attracted particular attention from European artists and scholars, producing a rich body of imagery that combined topographic accuracy with picturesque convention.
India under the Mughal Empire and later the British East India Company generated a substantial body of topographical print production. Views of Calcutta, Bombay, Madras and the landscapes of the subcontinent were produced by company artists and independent illustrators, capturing both the urban environments of colonial settlement and the natural scenery of the interior. The Daniells — Thomas and William — produced some of the most celebrated antique views of India, their aquatints setting a standard of quality that defined the genre.
Southeast Asia, China and Japan each attracted European illustrators whose work was translated into printed plates for publication in accounts of voyages, trade missions and diplomatic embassies. Views of Batavia, Canton, Nagasaki and the coast of Indochina document the commercial and diplomatic contacts that defined European engagement with the Far East before the modern era.
Antique prints of Asia are valued by collectors for their geographic and cultural scope, their documentary importance and the insight they provide into the complex encounter between European and Asian civilisations during the age of exploration and empire. As original period works on paper, they represent a distinguished area of the antique print market.
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