C1788

A View of Shekoabad.

$A 550

Rare c.18th aquatint by William Hodges (1744-1797) of  Shikohabad which was named after Mughal Dara Shikoh, the son of the Mughal Emperor Shah Jahan. The ruins next to the tank (reservoir) are the remains of Dara Shikoh’s hunting lodge. From: … Read Full Description

In stock

S/N: INDIA-HODG-043–216694
(F31)
Free Shipping
View of Sydney, on the South Side of Norfolk Island. PACIFIC

Within Australia

All orders free shipping

View of Sydney, on the South Side of Norfolk Island. PACIFIC

Rest of the World

Orders over A$300 ship free worldwide

Details

Full Title:

A View of Shekoabad.

Date:

C1788

Condition:

Two faint spots and minor smudging, otherwise in good condition.

Technique:

Original aquatint printed in sepia.

Image Size: 

458mm 
x 295mm

Paper Size: 

485mm 
x 330mm
AUTHENTICITY
A View of Shekoabad. - Antique View from 1788

Genuine antique
dated:

1788

Description:

Rare c.18th aquatint by William Hodges (1744-1797) of  Shikohabad which was named after Mughal Dara Shikoh, the son of the Mughal Emperor Shah Jahan. The ruins next to the tank (reservoir) are the remains of Dara Shikoh’s hunting lodge.

From: William Hodges, Select Views in India, drawn on the Spot, in the years 1780, 1781, 1782, and 1783, and executed in Aqua Tinta

References:
Abbey, J.R. Travel in Aquatint and Lithography 1770-1860. London 1972: 416.
Archer, M. Early Views of India. The Picturesque Journeys of Thomas and William Daniell, 1786-1794. Lonon & New York 1980: pp. 97-100, ill. p. 99.
Godrej, P. & Rohatgi, P., Scenic Splendours : India through the Printed Image. 1989 London: p. 44, fig. 16,17.

Collections:
Royal Academy: 03/2612
British Museum London: 1917,1208.14.1-49
Met Museum New York: 66.631.3
Royal Collection Trust UK: RCIN 1070250

William Hodges (1744 - 1797)

William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James's Market London. They encouraged their son's talent for drawing and placed him in William Shipley's drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master 'in dead colouring and the forwarding of pictures'. A short period of study under Wilson and Cipriani at the Duke of Richmond's Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July 1772 and returned on 29 July 1775.

View other items by William Hodges

You May Also Like

elevation-of-a-polygars-fort-in-the-northern-provi

$A 75

Chasse des Poissons volants.

$A 45

Polo in India.

$A 65

View in Macao, including the residence Camoens, when he wrote his Lusiad.

$A 3,750

Choose currency

Exchange rates are only indicative. All orders will be processed in Australian dollars. The actual amount charged may vary depending on the exchange rate and conversion fees applied by your credit card issuer.

Account Login

The List

Join our exclusive mailing list for first access to new acquisitions and special offers.