C1819

View in Macao, including the residence C…

Very rare large aquatint view of Macau by John Webber, who was the official artist on Cook’s third voyage. This aquatint is from Webber’s, Views in the South Seas, which is considered to be the most beautiful series that resulted … Read Full Description

$A 3,750

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S/N: ASI-1819-WEBB–218161
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Details

Full Title:

View in Macao, including the residence Camoens, when he wrote his Lusiad.

Date:

C1819

Condition:

In good condition.

Technique:

Aquatint, with original hand colouring

Image Size: 

445mm 
x 330mm

Paper Size: 

523mm 
x 407mm
AUTHENTICITY
View in Macao, including the residence Camoens, when he wrote his Lusiad. - Antique View from 1819

Genuine antique
dated:

1819

Description:

Very rare large aquatint view of Macau by John Webber, who was the official artist on Cook’s third voyage. This aquatint is from Webber’s, Views in the South Seas, which is considered to be the most beautiful series that resulted from Cooks three voyages. Published April 1, 1809. Printed on Whatman watermarked paper dated 1819.

Webber painted A View in Macao when the two ships, Resolution and Discovery, were on their return journey from North America after Cook had been killed in Hawaii in 1779. The ships anchored at the Portuguese colony in order to take on supplies. The views shows the mountainous landscape of Macau and its title refers the home of the 16th-century poet Luis de Camoens, who wrote a celebrated Homeric epic there.

Joppein and Smith (The Art of Capatin Cook) quote a remark by Captain King, mentioning a visit in which ‘I was shewn, in a garden belonging to an English gentleman at Macao, the rock, under which, as the tradition goes, the poet Camoens used to sit and compose his Lusiad…’.

 

References:
Joppien, R. & Smith, B. The Art of Captain Cook's Voyages; Vol. I, II & III. Melbourne 1985-1987 :: 3.372B.a.
Abbey, J.R. Travel in Aquatint and Lithography 1770-1860. London 1972:: 595.


Collections:
National Library Australia: Bib ID: 614949
Hong Kong Baptist University Library: Special Coll & Archives DC2-35
National Gallery Australia: Accession Number: 2016.487.27B
British Museum London:

John Webber (1752 - 1793)

Born in London in 1752, the son of a Swiss sculptor. He received his early artistic training in London before continuing his studies in Paris under Jean-Georges Wille, where he developed the precise draughtsmanship that later distinguished his work. By the early 1770s he had returned to Britain and established himself as a promising young artist. In 1776 Webber was appointed official artist to James Cook's 3rd and final voyage of exploration. The expedition, undertaken in HMS Resolution and HMS Discovery, sought a northern passage between the Pacific and Atlantic Oceans. During the voyage, which lasted until 1780, Webber produced an extensive visual record of the regions visited, including the Pacific Islands, the northwest coast of North America, and parts of eastern Asia. His drawings documented landscapes, settlements, flora, fauna, and the inhabitants encountered by the expedition, particularly in places such as Tahiti, Hawai‘i, and Nootka Sound. Webber was present during the final stages of the voyage, including the events surrounding Cook’s death at Kealakekua Bay in 1779. His work from this period includes some of the earliest European visual representations of Hawaiian society. Throughout the expedition he worked under demanding conditions, often producing rapid sketches in the field which were later refined into finished compositions. Following his return to Britain, Webber prepared many of his drawings for engraving for the official account of the voyage, A Voyage to the Pacific Ocean, published in 1784. These images played a central role in shaping European understanding of the Pacific and its peoples. His work combined empirical observation with the compositional conventions of late eighteenth-century European art, and it contributed to the visual culture of exploration. Webber exhibited at the Royal Academy in London and continued to produce paintings and drawings based on his travels, as well as other subjects. He was elected an Associate of the Royal Academy in 1785, reflecting his professional standing. His later work included both exhibition pieces and commissioned works, though he remained best known for his Pacific imagery. John Webber died in London in 1793 at the age of forty-one. His surviving drawings and paintings are held in major collections, including the British Museum and other institutions, and they remain an important visual record of Cook’s Third Voyage.

View other items by John Webber

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