C1580

Asie Nova Descriptio.

$A 2,350

One of the earliest European maps of Asia and the standard map of the continent for more than forty years. Published in Ortelius’s Theatrum Orbis Terrarum, widely regarded as the first modern atlas, having all the maps in a similar … Read Full Description

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S/N: ORTE-ASI-007G3-1580–524398
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Details

Full Title:

Asie Nova Descriptio.

Date:

C1580

Condition:

In good condition, with centre fold as issued and wide margins.

Technique:

Hand coloured copper engraving.

Image Size: 

497mm 
x 348mm

Paper Size: 

557mm 
x 417mm
AUTHENTICITY
Asie Nova Descriptio. - Antique Map from 1580

Genuine antique
dated:

1580

Description:

One of the earliest European maps of Asia and the standard map of the continent for more than forty years.

Published in Ortelius’s Theatrum Orbis Terrarum, widely regarded as the first modern atlas, having all the maps in a similar size and format. Ortelius was the first to separate ancient and recent geographic knowledge in his maps and to indicate the changes from the old nomenclature to the new. Beautifully embellished with an ornate title cartouche, galleons and spherical meridians of longitude and latitude.

The map is drawn on a cordiform projection but the continent has been extended too far to the east, based on Ptolemy’s miscalculation of the longitude of Eurasia. The sources of the map are Gastaldi 1560, Mercator 1569 and portolan charts by the Portuguese mapmaker Fernao Vaz Dourado who was based in Goa. This map, along with Ortelius’s map of the East Indies were the first published works to chart the island of Formosa (Taiwan) and to identify it by that name. Only the tip of Terra Australis Incognita is shown, the remainder being beyond the scope of the map.

This is the second plate of the map, which Ortelius published in his atlas from 1575 onwards. It is identified by the removal of ‘Cum priuilegio’ in the lower left corner, the replacement of ‘La Farfarna’ in the upper right corner in the sea, with a lower case ‘farfarna’ and the removal of the town ‘Ara’ above ‘Aden.’ His decision to make a new plate appears to have been the result of substandard engraving, with a number of the earlier states showing a faint impression, especially in the lower right section of the maps. The engraving of all the copper plates was done by Frans Hogenberg.

Identified as being print in 1580 by the following on the verso; German text, epage number 3, Gothic script, last line, Truck verfertigt, centred like 5 lines above it.

Abraham Ortelius (1527 - 1598)

Flemish cartographer, geographer, and publisher, born in Antwerp on 14 April 1527. He is celebrated as the creator of the Theatrum Orbis Terrarum (Theatre of the World), first published in 1570, widely regarded as the first modern atlas and one of the most influential cartographic works of the sixteenth century.

Trained as a map colourist and illuminator, Ortelius joined the Antwerp Guild of St Luke as a map illuminator in 1547, initially working in partnership with his sister, Anne. He began his career as a map and print dealer, trading in geographical materials and decorative prints across Europe. His extensive travels—to France, Germany, Italy, and notably to London where he met the English cartographer John Dee and the great mapmaker Gerardus Mercator—broadened his intellectual and professional network. Mercator’s work and ideas profoundly influenced Ortelius’s approach to geography and cosmography.

Ortelius’s Theatrum Orbis Terrarum was first issued in Antwerp in 1570 by the printer Gilles Coppens de Diest. Comprising seventy engraved maps with accompanying text, it presented a consistent format and unified design, with maps engraved chiefly by Frans Hogenberg. Each map was carefully attributed to its original source, a practice that reflected Ortelius’s scholarly integrity and established an early model for bibliographic citation in cartography. The Theatrum was an unprecedented success, appearing in more than forty editions and seven languages over the next four decades.

In 1573 Ortelius issued the Additamentum, the first supplement to the atlas, introducing new maps and expanding its global scope. Among his other important works were the Synonymia Geographica (1578), a geographical dictionary of ancient and modern place names, and Thesaurus Geographicus (1596), both significant contributions to Renaissance geographical scholarship.

Ortelius was also among the first to propose, in marginal notes to his maps, that the continents might once have been joined before drifting apart—an early precursor to modern theories of continental drift. His combination of scientific precision, humanist learning, and aesthetic refinement made him a central figure in the golden age of Netherlandish cartography.

He maintained close associations with leading scholars and artists of his time, including Justus Lipsius, Christopher Plantin, and the cartographers Gerard de Jode and Petrus Plancius. His friendship with Mercator remained of great importance throughout his life, and Mercator dedicated several works to him.

Ortelius was appointed Royal Geographer to King Philip II of Spain in 1575, in recognition of his contributions to geography and the prestige his atlas brought to the Spanish Netherlands. He continued to reside in Antwerp, where he also acted as a patron to younger scholars and artists.

Abraham Ortelius died in Antwerp on 28 June 1598 and was buried in the Church of St Michael’s Abbey. His epitaph reads Quietis cultor sine lite, uxore, prole—“A worshipper of tranquillity, without dispute, wife, or children.” His maps and atlases remain milestones in the history of cartography, bridging medieval cosmography and the emerging scientific geography of the early modern world.

View other items by Abraham Ortelius

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