C1842

Coup de Vent Devant les Iles Powell Le 2…

Superb, c.19th hand coloured lithograph of the two French ships, Astrolabe and Zelle, under the command of Dumont D’Urville undertaking their epic exploration of Antarctica. The ships reached Port Famine at the end of 1838 and after a few days … Read Full Description

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Details

Full Title:

Coup de Vent Devant les Iles Powell Le 28 Janvier 1838.

Date:

C1842

Condition:

In good condition.

Technique:

Hand coloured lithograph.

Image Size: 

480mm 
x 310mm

Paper Size: 

520mm 
x 338mm
AUTHENTICITY
Coup de Vent Devant les Iles Powell Le 28 Janvier 1838. - Antique View from 1842

Genuine antique
dated:

1842

Description:

Superb, c.19th hand coloured lithograph of the two French ships, Astrolabe and Zelle, under the command of Dumont D’Urville undertaking their epic exploration of Antarctica.

The ships reached Port Famine at the end of 1838 and after a few days rest, headed further south on January 8th. They sighted their first ice floe the following day and a few days later at 59° 30’S ‘an immense block in the form of a triangular prism’ could be seen, glistening when the fog lifted. Dumont d’Urville’s instructions were to follow Weddell’s route and see how far beyond the Englishman’s final latitude they could penetrate. His crew had been promised a bonus of 100 francs each if they reached 75°S and a further 20 francs for every degree further south. The ships reached 65° where they were confronted by an impenetrable ice floe. ‘To the limits of the horizon on both east and west, spread an immense plain of blocks of ice…’. D’Urville at this point was forced to turn back and on March 7 the two ships left the South Shetlands.

After exploring the southern regions Dumont D’Urville the ships sailed to the Pacific visting many of the islands, Singapore, Batavia, and reached Hobart at the end of 1839. 

After a short period of rest in Hobart the ships headed south again on January 1, 1840, this time reaching about 64°S and found themselves suddenly surrounded by icebergs. On January 19, land was sighted, it was completely covered with snow so high it was impossible to see the summit. D’Urville named the coast, Terre Adelie after his wife. The expedition had established the approximate position of the magnetic pole and d’Urville felt that their task had been accomplished and left Antarctica and headed for New Zealand.

The maps and views were published in the official accounts of the voyage and are the finest ever produced of Antarctica and intended to reflect France’s rightful place on the international stage.

Embossed blind stamp “Gide Editeur Paris” denoting that is from the original edition of “Voyage au Pole Sud”. 

From D’Urville, D. Voyage au Pole Sud et dans l’Océanie sur les corvettes l’Astrolabe et la Zélée, exécute par ordre du roi pendant les années 1837-1838-1839-1840…Paris. 

References:

Hill, J. The Hill Collection of Pacific Voyages. San Diego 1974 : 508.
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 3184.
Sabin, J. A Dictionary of Books Relating to America, from its Discovery to the Present Time. New York. (1936) 1967 : 21256.

Collections:

National Library Australia: Bib ID 1539703
National Gallery Australia: 2005.1121
Australian National Maritime Museum: Object No: 00008363
Bibliotheque Nationale de France: ark:/12148/bpt6k976783

Ernest Goupil (1814 - 1840)

French painter, draftsman, and watercolorist best known as the official artist on the Antarctic and Oceania expedition led by Jules Dumont d'Urville from 1837 to 1840. His illustrations became an important visual record of the peoples, landscapes, and scientific discoveries encountered during the voyage. Born in 1814 in Châteaudun, Goupil studied painting under Louis Étienne Watelet and later under Jules Coignet. As a young artist, he traveled extensively within France and North Africa, developing a strong interest in landscape painting and firsthand observation of nature. In 1837, Goupil joined Dumont d'Urville's expedition aboard the corvettes Astrolabe and Zélée as the expedition's official artist. During the voyage he produced detailed drawings and watercolors of locations including Patagonia, Tahiti, Antarctica, and other regions of the Pacific. His artwork documented landscapes, Indigenous peoples, flora, fauna, and the expedition's ships amid Antarctic ice. Many of these images were later published in the official expedition account, Voyage au Pôle Sud et dans l’Océanie. Contemporaries described Goupil as cheerful, generous, and adventurous. His passion for travel and exploration made him particularly suited to the demanding conditions of a scientific voyage around the world. Tragically, Goupil did not survive the expedition. He died in 1840 at the age of 26 in Hobart while the expedition was returning home. Despite his short life, his artistic record remains an important source for historians of exploration and Antarctic history.

View other items by Ernest Goupil

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