Albert Henry Fullwood (1863 - 1930)
English artist trained at the Birmingham School of Art before emigrating to Sydney in 1883.
He initially worked for John Sands Ltd and as an illustrator for Henry Parkes Garran, while travelling widely across northern Australia, New Guinea, and New Zealand. In the 1880s he associated with leading colonial artists, including Tom Roberts and Arthur Streeton, and, encouraged by Livingston Hopkins, developed a strong interest in etching. He contributed illustrations to prominent British and Australian periodicals and was active in the Art Society of New South Wales, later helping to establish the Society of Artists.
In 1900 Fullwood relocated abroad, spending a year in New York before settling in London, where he worked as an illustrator and exhibited at the Royal Academy of Arts and the Salon de la Société des Artistes Français. A member of the Chelsea Arts Club, he served during the World War I with the Allied Arts Corps and later the Royal Army Medical Corps. In 1918 he was appointed an official artist with the Australian Imperial Force in France, depicting the Western Front. Returning to Sydney after demobilisation in 1919, he co-founded the Australian Painter-Etchers’ Society with John Shirlow and became a member of the Australian Watercolour Institute. He died of pneumonia on 1 October 1930.
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Henry John Allcock Baron (1863 - 1948)
English artist born in Birmingham on 23 November 1863.
His father was a master pearl button maker who later became a retail brewer. Henry Baron attended the Severn National School in Birmingham. When he was 19 he decided to immigrate to Australia for health reasons and arrived in Brisbane on board the SS Hampshire on 31st July 1883. On 26 March 1885 he married Emily Bradbury who had come to Australia with her family on board the same ship. In 1889 they moved to Sydney and for most of the remainder of his life he lived in Drummoyne. For a short period he moved to North Ryde, renting his house in Drummoyne. On his return, in about 1938, he and his wife moved into 15 Broughton Street where he remained until his death.
He joined the NSW Govt. Printers Office in 1891 and was there until 1898. He and Edward Minchen were the only lithographers in the Office during that time. In August, 1898, he transferred to the Government Architect's Branch and was there until 1906. He described himself as a lithographic artist but his wife referred to him as a commercial artist as he went into business in the city as a commercial artist. He designed product labels and the art work for some series of cigarette cards for W.D. & H.O. Wills.
As botanical artist and lithographer he contributed to J.H.Maiden, The flowering plants and ferns of New South Wales (1895-1898).
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