C1777

Man of Easter Island.

$A 195

Rare c.18th engraving of a man from Easter Island, during Cook’s visit to the island 8 October 1773 to 16 March 1774, from the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage. Portrait of a bearded … Read Full Description

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S/N: CK02E-PI-EAST-1290–227997
(F27)
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Details

Full Title:

Man of Easter Island.

Date:

C1777

Condition:

In good condition

Technique:

Copper engraving.

Image Size: 

175mm 
x 230mm

Paper Size: 

225mm 
x 283mm

Platemark Size: 

192mm 
x 256mm
AUTHENTICITY
Man of Easter Island. - Antique Print from 1777

Genuine antique
dated:

1777

Description:

Rare c.18th engraving of a man from Easter Island, during Cook’s visit to the island 8 October 1773 to 16 March 1774, from the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage.

Portrait of a bearded man of Easter Island with unusually long perforated ears.

From Cook’s, A Voyage Towards the South Pole, and Round the World, performed in His Majesty’s Ships the ‘Resolution’ and ‘Adventure’, In the Years 1772, 1773, 1774, and 1775.

References:
Beddie, M. Bibliography of Captain James Cook, RN,FRS, Circumnavigator. Sydney 1970: 1381-46, p.268
Hill, J. The Hill Collection of Pacific Voyages. San Diego 1974 358.
Joppien,R. & Smith, B. The Art of Captain Cook’s Voyages; Vol. I, II & III. Melbourne 1985-1987: 2.96A, ill.p.198
Sabin, J. A Dictionary of Books Relating to America, from its Discovery to the Present Time. New York. (1936) 1967. 16245.

Collections:
Maritime Museum Greenwich: ID: PAI4104
National Library Australia: Bib ID 90039 /2072924
State Library New South Wales: RECORD IDENTIFIER 74VvMokVOlGA / 74VvMoxg6JJX

William Hodges (1744 - 1797)

William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James's Market London. They encouraged their son's talent for drawing and placed him in William Shipley's drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master 'in dead colouring and the forwarding of pictures'. A short period of study under Wilson and Cipriani at the Duke of Richmond's Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July 1772 and returned on 29 July 1775.

View other items by William Hodges

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