C1912

Puffinus Carneipes. (Fleshy-Footed Petrel).

Artist:

Henrik Gronvold (1858 - 1940)

$A 165

Lithograph of the Flesh-Footed Shearwater or Big Mutton-Bird, first described by Gould in 1844. Superb lithograph of the Big Mutton-Bird from the last great bird series on Australian ornithology, The Birds of Australia by G. Matthew’s. This series is rarer than John … Read Full Description

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S/N: BI-AA-MATH-076–222352

(C102F)

Categories: Australian, Gregory Mathews, BIRDS, PRINTS & PHOTOGRAPHS

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Details

Full Title:

Puffinus Carneipes. (Fleshy-Footed Petrel).

Date:

C1912

Artist:

Henrik Gronvold (1858 - 1940)

Engraver:

Condition:

In good condition.

Technique:

Lithograph with original hand colouring.

Paper Size:

335mm

x 240mm

Genuine antique
dated:

1912

Description:

Lithograph of the Flesh-Footed Shearwater or Big Mutton-Bird, first described by Gould in 1844.

Superb lithograph of the Big Mutton-Bird from the last great bird series on Australian ornithology, The Birds of Australia by G. Matthew’s.

This series is rarer than John Gould’s work on Australian birds, with only 225 sets made. It was the last series produced using the laborious process of hand colouring of each individual lithograph.

References:
Anker, J. Bird Books and Bird Art. Amsterdam 1979 328.
Nissen, C. Die illustrierten Vogelbucher. Stuttgart 1995 IVB 605.

Collections:
State Library New South Wales: Call Numbers: MRB/F598.2/M
State Library Victoria: RARESF 598.2994 M42
State Library of Western Australia: Call Number Q 598.2994 MAT
State Library South Australia: Rare Books Room 598.294 M429
National Library Australia: Rex Nan Kivell Collection ; NK9772
State Library Queensland: RBF 598.2994
National Museum of Australia: Call no: AIA F 598.2994 MAT

Henrik Gronvold (1858 - 1940)

Gronvold was a Danish born artist who, after studying, entered the military as a draughtsman. On leaving Denmark he obtained work at the British History Museum in London. This image is from the last great bird series, The Birds of Australia by G. Matthews and is rarer than John Gould’s work on Australian birds, with only 225 sets done. It was the last series produced to use hand colouring rather than colour printed lithography for the illustrations.

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