C1886

Queen Street, at the Edward Street Corner.

Artist:

William Crothers Fitler (1857 - 1915)

$A 135

Scarce, c.19th hand colured detailed engraved view of Queen Street at the Edward Street intersection, Brisbane. Depicts a bustling with crowds, tram and horse drawn buggies. References: Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9829g. Hughes-d’Aeth, … Read Full Description

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S/N: PAA-QB-2371B–197986

(C036)

Categories: Queensland, AUSTRALIA, TOPOGRAPHICAL VIEWS

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Details

Full Title:

Queen Street, at the Edward Street Corner.

Date:

C1886

Artist:

William Crothers Fitler (1857 - 1915)

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size:

253mm

x 165mm

Paper Size:

286mm

x 197mm

Genuine antique
dated:

1886

Description:

Scarce, c.19th hand colured detailed engraved view of Queen Street at the Edward Street intersection, Brisbane.

Depicts a bustling with crowds, tram and horse drawn buggies.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9829g.
Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. Melbourne 2001 :.

Collections:
National Library Australia: Bib ID 1654251
National Gallery Australia: Legacy ID 34588
Royal Collection Trust UK: RCIN 1046852
Getty Museum Los Angeles: 1218593
State Library New South Wales: 74VvDRQZXzWd
State Library Victoria: CCF 919.4 G19

William Crothers Fitler (1857 - 1915)

Fitler was born in Philadelphia in 1857 and studied art at the Pennsylvania Academy of Fine Arts. He was a tonalist landscape painter and most of his works depict views of New York, Connecticut, or Long Island. Fitler was a member of the Salmagundi Club, New York Watercolor Club, Brooklyn Art Association, Artists Fund Society, and New York Municipal Art Society. Fitler came to Australia with Fred B. Schell and W.T. Smedley to work on Australia's most ambitious and largest colonial publishing venture the, Picturesque Atlas of Australia. On his return to America he exhibited widely and was included in shows at the National Academy (1880-1907), Brooklyn Art Club (1881-1886), and Boston Art Club (1881-1908).

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