C1863

Sandridge from Hobson’s Bay (1863).

$A 1,350

Scarce, large c.19th hand coloured view of Sandridge (now Port Melbourne), drawn and lithographed by the French-born artist François Cogné and printed by Charles Troedel for inclusion in The Melbourne Album (1863–64), one of the most important illustrated records of … Read Full Description

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Details

Full Title:

Sandridge from Hobson’s Bay (1863).

Date:

C1863

Condition:

Repired tear at top right 10mm into image, otherwise in good condition.

Technique:

Hand coloured lithograph.

Image Size: 

369mm 
x 280mm

Paper Size: 

450mm 
x 354mm
AUTHENTICITY
Sandridge from Hobson's Bay (1863). - Antique View from 1863

Genuine antique
dated:

1863

Description:

Scarce, large c.19th hand coloured view of Sandridge (now Port Melbourne), drawn and lithographed by the French-born artist François Cogné and printed by Charles Troedel for inclusion in The Melbourne Album (1863–64), one of the most important illustrated records of nineteenth-century Melbourne. Published from the Melbourne Album Office at 73 Collins Street East, the lithograph captures the busy anchorage at Hobson’s Bay during the height of Victoria’s gold rush prosperity, when Sandridge served as Melbourne’s principal maritime gateway.

Viewed from the waters of Hobson’s Bay, the composition is dominated by merchant sailing vessels and harbour craft lying at anchor, while the growing settlement of Sandridge stretches along the shoreline. Among the prominent landmarks are the Victoria Sugar Company works, whose chimney served as a navigational landmark for ships entering the port, together with the expanding wharves and commercial buildings that reflected Melbourne’s rapid transformation into Australia’s leading colonial city. The view combines accurate topographical observation with the clarity and refinement characteristic of Troedel’s lithographic printing.

François Cogné (1829–1883) was one of the principal artists employed by Charles Troedel, whose Melbourne printing establishment produced the finest colour lithographs in colonial Australia. The Melbourne Album comprised a series of views celebrating the city’s architecture, streetscapes and surrounding districts, and is regarded as one of the outstanding achievements of Australian nineteenth-century lithography. Individual plates are increasingly sought after for their historical significance, aesthetic quality and rarity.

References: Ferguson, Bibliography of Australia, 6976; Scardamaglia, Printed on Stone: The Lithographs of Charles Troedel (2020).

From: Troedel, The Melbourne album: containing a series of views of Melbourne & country districts : respectfully dedicated to, and patronized by His Excellency Sir Charles Darling, K.C.B. by the lithographer and publisher, Charles Troedel : 73, Collins Street, E. Melbourne

References:
Butler, Printed Images in Colonial Australia 1801-1901 : p.167-172.
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 17322
Wantrup, J. Australian Rare Books. Sydney, 1987 : 262a.

Collections:
National Gallery Victoria: 1365-5
National Library Australia: Bib ID 2980263
State Library Victoria: Accession no: H1674

François Cogne (1829 - )

French born artist who left London for Port Melbourne, Australia in 1855 where he established himself at Ballarat. He stayed in Ballarat for three years and produced a number of lithographs that provided a visual record of the large mining centre. Cogne moved back to Melbourne in 1862 where he started working with Charles Troedel producing lithographs. He subsequently returned to Paris in 1864.

View other items by François Cogne

Johannes Theodor Charles Troedel (1836 - 1906)

Lithographic printer born in Hamburg, Germany, to Carl Auguste Troedel (Trödel) and Maria, née Buck. After apprenticing under his father in Denmark and working briefly in Norway, he was recruited in 1859 by Melbourne printer A. W. Schuhkrafft, alongside artist Robert Wendel. The pair arrived in Melbourne aboard the Great Britain on 5 February 1860 and completed a three-year term with Schuhkrafft. In 1863, Troedel established his own press in Collins Street, producing The Melbourne Album on a European press still preserved today. He collaborated with Wendel and artists such as F. Cogné and later with Baldwin Spencer, whose zoological illustrations for the Horn Expedition were among Troedel’s finest coloured lithographs. Naturalised in 1869, Troedel married Julia Sarah Glover the following year. They had eight children. From the 1880s he was active in the Victorian Master Printers' Association and sat on the printing industry’s wages board by 1900. Deeply involved in Melbourne’s cultural scene, he worked with artists including Nicholas Chevalier, Arthur Streeton, Lionel Lindsay and Percy Leason. Streeton, once his apprentice, later spoke of Troedel with fondness. Troedel expanded to Sydney in 1877 and partnered briefly with Edward Cooper in 1891. He died in Prahran on 31 October 1906. His sons Walter, Rudolph and Ferdinand continued the business. Though not Melbourne’s first lithographer, Troedel was its most accomplished. His firm’s legacy includes a wide array of high-quality posters, labels, and book illustrations. In 1968, Troedel & Cooper Ltd donated their collection to the State Library of Victoria, now held in the La Trobe Library as a significant record of colonial visual culture.

View other items by Johannes Theodor Charles Troedel

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