C1790

[Six Putti bathing in a River]

Artist:

Famous C18th engraving of putti by Francesco Bartolozzi. From Boydell’s, Prints by F. Bartolozzi from the original drawings of Guercino and of Michael Angelo; Domenichino; Annibal, Lodovico, and Agostino Carraccii; Guercino; P. da Cortona; Carlo Maratti; Elisabetta Sirani; Pellegrino Tibaldi; Franceschino in … Read Full Description

$A 525

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S/N: PBFB-001-DEC–230947

(C119)

Categories: Romanticism

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Details

Full Title:

[Six Putti bathing in a River]

Date:

C1790

Artist:

Francesco Bartolozzi (1727 - 1815)

Condition:

In good condition.

Technique:

Copper engraving.

Image Size:

307mm

x 210mm

Platemark Size:

340mm

x 242mm

Genuine antique
dated:

1790

Description:

Famous C18th engraving of putti by Francesco Bartolozzi.

From Boydell’s, Prints by F. Bartolozzi from the original drawings of Guercino and of Michael Angelo; Domenichino; Annibal, Lodovico, and Agostino Carraccii; Guercino; P. da Cortona; Carlo Maratti; Elisabetta Sirani; Pellegrino Tibaldi; Franceschino in the Collection of His Majesty.

Note: This is the first edition (C1790) of these well known engravings, published by Boydell and not the later 1842 edition.

Francesco Bartolozzi (1727 - 1815)

Italian artist born in Florence in 1727, the son of Cayetano Bartolozzi a jeweller. Francisco learned from his father the technique of engraving and studied at the Academy of Florence and subsequently began his professional career in Rome. In 1764 he was invited to London, where he remained for 40 years working for his patron, George III,for whom he executed numerous engravings, including those after Hans Holbein’s drawings at Windsor. He also made many engravings of paintings by Italian masters and by his friends, the fashionable painters Giovanni Cipriani and Angelica Kauffmann. Although Bartolozzi was not the inventor of engraving in the crayon manner, which imitated chalk drawings, but he made it the fashion. In 1802 he was invited to Lisbon as director of the National Academy.

View other items by Francesco Bartolozzi