C1878

Supreme Court Sydney.

Artist:

$A 175

Scarce, c.19th hand coloured engraving of the original Supreme Court, Sydney, now known as the Greenway Wing. The original Supreme Court building in Sydney stood on King Street and was completed in 1827 to the design of the colonial architect Francis … Read Full Description

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S/N: SI48-NS-007–191699

(B005)

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Details

Full Title:

Supreme Court Sydney.

Date:

C1878

Artist:

Joseph Hutchins Fowles (1810 - 1878)

Engraver:

W.Harris

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size:

235mm

x 145mm

Paper Size:

269mm

x 209mm

Genuine antique
dated:

1878

Description:

Scarce, c.19th hand coloured engraving of the original Supreme Court, Sydney, now known as the Greenway Wing.

The original Supreme Court building in Sydney stood on King Street and was completed in 1827 to the design of the colonial architect Francis Greenway. Erected during the administration of Governor Darling, it formed part of the early programme of public works intended to give the growing colony of New South Wales a visible framework of civil authority and judicial order. Later additions were made by James Barnett in 1860.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9715.

Collections:
National Library Australia: Bib ID: 7289297
State Library New South Wales: 991001269919702626

Joseph Hutchins Fowles (1810 - 1878)

Fowles arrived in Sydney from London in August 1838, accompanied by his wife, as cabin passenger on the Fortune. He came to public attention in 1847 with his contributions to the first exhibition of the Society for the Promotion of Fine Arts in Australia. In July 1848 Fowles issued the first part of his series Sydney in 1848 which contained 'elegant' streets and buildings which were made with painstaking accuracy 'to remove the erroneous and discreditable notions current in England concerning this city'. By 1858 Fowles had won a new reputation when Bell's Life in Sydney and Sporting Chronicle designated him 'Our Colonial Herring' as a result of a series of portraits of 'celebrated Australian cracks', racehorses and riding horses. By 1855 Fowles was training and examining young art teachers in drawing for the National Board of Education. In an obituary notice he was described as 'Father of drawing in the city'.

View other items by Joseph Hutchins Fowles