C1889

Sydney Heads-Entrance to Port Jackson.

$A 225

Scarce, c.19th hand coloured lithographed view looking across Watson’s Gap to North Head, with steamers going in and out of the heads. References: Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 12863. Collections: National Library Australia: Bib ID … Read Full Description

In stock

S/N: AHONSW-NS-1385–225269
(B005)
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View of Sydney, on the South Side of Norfolk Island. PACIFIC

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Details

Full Title:

Sydney Heads-Entrance to Port Jackson.

Date:

C1889

Condition:

In good condition.

Technique:

Hand coloured lithograph.

Image Size: 

240mm 
x 165mm

Paper Size: 

270mm 
x 210mm
AUTHENTICITY
Sydney Heads-Entrance to Port Jackson. - Antique View from 1889

Genuine antique
dated:

1889

Description:

Scarce, c.19th hand coloured lithographed view looking across Watson’s Gap to North Head, with steamers going in and out of the heads.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 12863.

Collections:
National Library Australia: Bib ID 105453
State Library Victoria: SLTF 994.4 M834
State Library New South Wales: CALL NUMBER: EQ994.4/MOR

Albert Henry Fullwood (1863 - 1930)

English artist trained at the Birmingham School of Art before emigrating to Sydney in 1883. He initially worked for John Sands Ltd and as an illustrator for Henry Parkes Garran, while travelling widely across northern Australia, New Guinea, and New Zealand. In the 1880s he associated with leading colonial artists, including Tom Roberts and Arthur Streeton, and, encouraged by Livingston Hopkins, developed a strong interest in etching. He contributed illustrations to prominent British and Australian periodicals and was active in the Art Society of New South Wales, later helping to establish the Society of Artists.

In 1900 Fullwood relocated abroad, spending a year in New York before settling in London, where he worked as an illustrator and exhibited at the Royal Academy of Arts and the Salon de la Société des Artistes Français. A member of the Chelsea Arts Club, he served during the World War I with the Allied Arts Corps and later the Royal Army Medical Corps. In 1918 he was appointed an official artist with the Australian Imperial Force in France, depicting the Western Front. Returning to Sydney after demobilisation in 1919, he co-founded the Australian Painter-Etchers’ Society with John Shirlow and became a member of the Australian Watercolour Institute. He died of pneumonia on 1 October 1930.

View other items by Albert Henry Fullwood

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