C1929

Verneuil

Artist:

Samuel Chamberlain (1895 - 1975)

$A 275

Fine etching of Verneuil-sur-Avre Cathedral in Normandy by Samuel Chamberlain numbered 38 of 100 and signed in pencil lower right.  

In stock

S/N: PM-OS-1929-CHAM–199195
(DRW05)
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The North Sea with the Kattegat, from the chart of Messrs. De Verdun, De Borda, and Pingre, made public in 1777, by order of Louis XVI; constructed on a larger scale and with considerable additions and emendations by L.S. De la Rochette, M.DCC.XCVI. Scandinavia

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The North Sea with the Kattegat, from the chart of Messrs. De Verdun, De Borda, and Pingre, made public in 1777, by order of Louis XVI; constructed on a larger scale and with considerable additions and emendations by L.S. De la Rochette, M.DCC.XCVI. Scandinavia

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Details

Full Title:

Verneuil

Date:

C1929

Artist:

Samuel Chamberlain (1895 - 1975)

Condition:

In good condition.

Technique:

Etching signed in pencil and numbered.

Image Size: 

215mm 
x 350mm
AUTHENTICITY

Guaranteed Vintage Item
dated:

Verneuil - Vintage Print from 1929
1929

Description:

Fine etching of Verneuil-sur-Avre Cathedral in Normandy by Samuel Chamberlain numbered 38 of 100 and signed in pencil lower right.

 

Biography:

Samuel Chamberlain (1895-1975)

Etcher and lithographer, writer and teacher. Chamberlain was born in Cresco, Iowa in 1895 and was educated at the University of Washington, the Massachusetts Institute of Technology, and the Royal College of Art in London. He studied under Edouard Henri Léon in Paris and Malcolm Osborne in London. At the Massachusetts Institute of Technology, Chamberlain taught and lectured on etching, drypoint, and soft ground etchings.  Chamberlain created his first lithograph in 1923 and in the following year produced his first of many drypoint .

He was a member of the National Academy of Design in New York City; the Society of Etchers in Brooklyn, NY; the American Academy of Arts and Sciences; the Chicago Society of Etchers, and many other esteemed organizations. His awards include an honorable mention at the Paris Salon in 1925 and a gold medal at the Boston Tercentenary in 1930.

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