
1801

1801

1809

1813

1815
![Vue de la Ville du Cap et de la Montagne de la Table. (Cap de Bonne Esperance). [Cape Town] AFRICA Vue de la Ville du Cap et de la Montagne de la Table. (Cap de Bonne Esperance). [Cape Town]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_9823_copy_a.jpg?fit=270%2C188&ssl=1)
1833

1833

1833
![Vue des Pamplemousses. (Ile Maurice.) [Mauritius] AFRICA Vue des Pamplemousses. (Ile Maurice.) [Mauritius]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_9821_copy_a.jpg?fit=270%2C216&ssl=1)
1833

1833
![Vue de la Montagne de Pieter Bot. Prise de Monplaisir. (Ile de France.) [Mauritius] AFRICA Vue de la Montagne de Pieter Bot. Prise de Monplaisir. (Ile de France.) [Mauritius]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_9820_copy_a.jpg?fit=270%2C208&ssl=1)
1833

1833
![Vue Prise sur la Route de Port-Louis (Ile de France.) [Mauritius] AFRICA Vue Prise sur la Route de Port-Louis (Ile de France.) [Mauritius]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_9819_copy_a.jpg?fit=270%2C224&ssl=1)
1833
![Vue de Jame’s-Town, (Ile Ste Hélène.) [Saint Helena] AFRICA Vue de Jame's-Town, (Ile Ste Hélène.) [Saint Helena]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_9824_copy_a.jpg?fit=270%2C196&ssl=1)
1833

1833

1833

1833

1833
![Bai von Porto-Praya. (Insel St. Jago) [Praia] AFRICA Bai von Porto-Praya. (Insel St. Jago) [Praia]](https://i0.wp.com/antiqueprintmaproom.com/wp-content/uploads/2020/06/mg_1255_copy_1.jpg?fit=270%2C184&ssl=1)
1836

1841

1849

1849

1865

1865

1867

1868

1868

1869

1872

1873

1875

1875

1875

1878

1880

1880

1881

1881

1881

1881

1881

1881

1881

1881

1881

1881

1881

1881
Antique Topographical Views and Prints of Africa
This category brings together original antique prints, engravings and lithographs depicting the African continent, produced by European publishers and cartographic houses from the 17th through the 19th century. These works represent the visual record of Africa as seen through European eyes during the great age of exploration, trade and colonial expansion — a period in which the continent’s coastlines, interior regions, cities and peoples were documented through print for audiences at home and abroad.
The earliest antique prints of Africa are predominantly coastal in character, reflecting the maritime routes that defined European engagement with the continent. Views of Cape Town, Mozambique, the ports of West Africa and the approaches to the Red Sea appear in the publications of Dutch, German, French and British houses, often produced from sketches made by sailors, traders and officials stationed along these routes. As exploration of the interior extended through the 18th and 19th centuries, the subject matter broadened to include inland landscapes, river scenery, natural features and the settlements encountered by travellers and expeditionary parties.
The 19th century produced a particularly rich body of antique African views, as illustrated travel narratives, geographical journals and popular periodicals brought the continent to public attention. Artists accompanying exploratory expeditions — among them figures associated with the journeys of Livingstone, Barth and others — produced sketches that were translated into lithographed or engraved plates for publication. Scenes of the Nile, the Cape of Good Hope, the Niger River and the Great Lakes region appear alongside images of indigenous life, local architecture and natural scenery.
Antique prints of North Africa — Egypt, Algeria, Morocco and the Levantine coast — form a significant subset of this collection, drawing on the long tradition of European interest in the ancient Mediterranean world. Views of Cairo, Alexandria, Carthage and the monuments of ancient Egypt were produced in abundance, reflecting both scholarly and popular fascination with classical antiquity and Islamic civilisation.
These original antique prints of Africa are valued by collectors for their historical significance, geographic scope and documentary interest. As period works on paper — engravings, etchings, aquatints and lithographs — they offer an authentic record of the continent as observed and interpreted during a formative period of world history. Each print represents a unique intersection of artistic skill, geographic knowledge and the cultural perspectives of its time.
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